Azorín and Descriptive Stillness: Aspects on Style in "La Andalucía Trágica"

Azorín's writing was characterized from the beginning by the search for an easily recognizable genuine style. The critics agree in affirming an evolution in his style, which has great austerity in his last writings where he removes everything accessory. In our reading we observed certain aspect...

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Autor principal: Martinez, Francisco Bernardo
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2024
Materias:
Azorín
estilo
sencillez
fragmentarismo
style
simplicity
fragmentarism
Acceso en línea:https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44733
Aporte de:
Nota al margen de Universidad Nacional de Córdoba
id I10-R278-article-44733
record_format ojs
spelling I10-R278-article-447332024-07-05T21:11:00Z Azorín and Descriptive Stillness: Aspects on Style in "La Andalucía Trágica" Azorín y la quietud descriptiva: aspectos sobre estilo en “La Andalucía trágica” Martinez, Francisco Bernardo Azorín estilo sencillez fragmentarismo Azorín style simplicity fragmentarism Azorín's writing was characterized from the beginning by the search for an easily recognizable genuine style. The critics agree in affirming an evolution in his style, which has great austerity in his last writings where he removes everything accessory. In our reading we observed certain aspects in the author's early prose that can be linked to his search for verbal concentration and precision, which show an intentional elaboration in pursuit of recognizing himself and being recognized by a unique, very personal style. In the analysis of selected passages from the articles that conform "La Andalucía trágica", an essay first published in the press and added to the third edition of Los pueblos (1905) from 1914 onwards, we will try to detect some intrinsic and decisive factors in the configuration of his modern style. Here, from a fragmentary view of the narrator, he tries to represent what he calls the "Andalucía trágica", clearly related to the Spain’s regenerationist concern of the men of '98. Although Azorin's work has already been extensively studied, we have not found any recent critical studies about these articles; hence our interest. la escritura azoriniana se caracterizó desde sus comienzos por la búsqueda de un estilo genuino, fácilmente reconocible. La crítica coincide en afirmar una evolución en su estilo, de gran austeridad en sus últimos escritos, donde elimina todo lo accesorio. En nuestra lectura, observamos ciertos aspectos en la prosa temprana del autor que pueden ligarse con su búsqueda de la concentración y precisión verbal, lo que da cuenta de una intencionada elaboración en pos de reconocerse y ser reconocido por un estilo único y personal. En el análisis de los pasajes seleccionados de los artículos que conforman “La Andalucía trágica”, ensayo publicado primeramente en entregas a la prensa y añadido, luego, a la tercera edición de Los pueblos (1905) desde 1914 en adelante, procuraremos detectar algunos factores intrínsecos y decisivos en la configuración de su estilo moderno. Aquí, a partir de una visión fragmentaria del yo narrador, este procura la representación de lo que llama la “Andalucía trágica”, emparentado claramente con la preocupación regeneracionista de España y de los hombres del 98. Si bien la obra azoriniana ya ha sido muy trabajada, no hemos encontrado estudios críticos recientes en torno a estos artículos, de allí nuestro interés. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado a ciegas por pares application/pdf text/html application/pdf https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44733 Nota al margen; Vol. 2 No. 3 (2024); 97-112 Nota al margen; Vol. 2 Núm. 3 (2024); 97-112 3008-7015 spa https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44733/45608 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44733/45609 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44733/45610 Derechos de autor 2024 Francisco Bernardo Martinez https://creativecommons.org/licenses/by-nc/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-278
container_title_str Nota al margen
language Español
format Artículo revista
topic Azorín
estilo
sencillez
fragmentarismo
Azorín
style
simplicity
fragmentarism
spellingShingle Azorín
estilo
sencillez
fragmentarismo
Azorín
style
simplicity
fragmentarism
Martinez, Francisco Bernardo
Azorín and Descriptive Stillness: Aspects on Style in "La Andalucía Trágica"
topic_facet Azorín
estilo
sencillez
fragmentarismo
Azorín
style
simplicity
fragmentarism
author Martinez, Francisco Bernardo
author_facet Martinez, Francisco Bernardo
author_sort Martinez, Francisco Bernardo
title Azorín and Descriptive Stillness: Aspects on Style in "La Andalucía Trágica"
title_short Azorín and Descriptive Stillness: Aspects on Style in "La Andalucía Trágica"
title_full Azorín and Descriptive Stillness: Aspects on Style in "La Andalucía Trágica"
title_fullStr Azorín and Descriptive Stillness: Aspects on Style in "La Andalucía Trágica"
title_full_unstemmed Azorín and Descriptive Stillness: Aspects on Style in "La Andalucía Trágica"
title_sort azorín and descriptive stillness: aspects on style in "la andalucía trágica"
description Azorín's writing was characterized from the beginning by the search for an easily recognizable genuine style. The critics agree in affirming an evolution in his style, which has great austerity in his last writings where he removes everything accessory. In our reading we observed certain aspects in the author's early prose that can be linked to his search for verbal concentration and precision, which show an intentional elaboration in pursuit of recognizing himself and being recognized by a unique, very personal style. In the analysis of selected passages from the articles that conform "La Andalucía trágica", an essay first published in the press and added to the third edition of Los pueblos (1905) from 1914 onwards, we will try to detect some intrinsic and decisive factors in the configuration of his modern style. Here, from a fragmentary view of the narrator, he tries to represent what he calls the "Andalucía trágica", clearly related to the Spain’s regenerationist concern of the men of '98. Although Azorin's work has already been extensively studied, we have not found any recent critical studies about these articles; hence our interest.
publisher Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2024
url https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44733
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first_indexed 2024-09-03T22:37:57Z
last_indexed 2025-02-05T22:15:56Z
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