The Beauty Between the Ephemeral and the Perpetual: Aesthetic Reflections in Keats' “Ode on a Grecian Urn” and Leopardi's “Wild Broom”

The following paper aims to approach, in a comparative and hermeneutical way, the poems “Ode on a Grecian Urn” (1820) by John Keats and “Wild Broom Or the Flower of the Desert” (1836) by Giacomo Leopardi, focusing on the literary pairing of ephemerality and perpetuity. Based on the comparison of lit...

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Autor principal: Collantes, Lucas Gabriel
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2023
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Acceso en línea:https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42484
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spelling I10-R278-article-424842024-03-13T17:06:11Z The Beauty Between the Ephemeral and the Perpetual: Aesthetic Reflections in Keats' “Ode on a Grecian Urn” and Leopardi's “Wild Broom” Lo bello entre lo efímero y lo perpetuo: reflexiones estéticas en “Oda a una urna griega” de Keats y “La Retama” de Leopardi Collantes, Lucas Gabriel Leopardi belleza efimeridad y perpetuidad romanticismo europeo Keats European romanticism Keats Leopardi beauty ephemerality perpetuity The following paper aims to approach, in a comparative and hermeneutical way, the poems “Ode on a Grecian Urn” (1820) by John Keats and “Wild Broom Or the Flower of the Desert” (1836) by Giacomo Leopardi, focusing on the literary pairing of ephemerality and perpetuity. Based on the comparison of literary resources, imagery and recurrent topics that construct these pairings, we hypothesize that, while Keats  deals with a relatively imperishable object, Leopardi composes his canto about a flower that will eventually die;  beauty is presented differently, depending on whether it is something eternal and ideal or a less monumental and more fleeting beauty. Based on a poetic analysis and a theoretical contribution, we intend to compare the different aesthetic considerations which are inherent in each poem and author. El siguiente trabajo nos proponemos abordar comparada y hermenéuticamente los poemas “Oda a una urna griega” (1820), de John Keats, y “La Retama o la flor del desierto" (1836), de Giacomo Leopardi, centrándonos en el binomio de efimeridad/perpetuidad. A partir de la comparación de los recursos literarios, las imágenes y las temáticas que construyen estos binomios, hipotetizamos que, mientras Keats versa sobre un objeto relativamente imperecedero, Leopardi compone el canto sobre una flor que eventualmente morirá. La belleza se presenta diferencialmente, según se trate de algo eterno e ideal o de una belleza menos monumental y más fugaz. A partir del análisis poético y del aporte teórico pretendemos comparar las diferentes consideraciones estéticas inherentes a cada poema y autor.  Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2023-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado a ciegas por pares application/pdf text/html application/pdf https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42484 Nota al margen; Vol. 1 No. 2 (2023); 88-99 Nota al margen; Vol. 1 Núm. 2 (2023); 88-99 3008-7015 spa https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42484/43826 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42484/43827 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42484/43828 Derechos de autor 2023 Lucas Gabriel Collantes https://creativecommons.org/licenses/by-nc/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-278
container_title_str Nota al margen
language Español
format Artículo revista
topic Leopardi
belleza
efimeridad y perpetuidad
romanticismo europeo
Keats
European romanticism
Keats
Leopardi
beauty
ephemerality perpetuity
spellingShingle Leopardi
belleza
efimeridad y perpetuidad
romanticismo europeo
Keats
European romanticism
Keats
Leopardi
beauty
ephemerality perpetuity
Collantes, Lucas Gabriel
The Beauty Between the Ephemeral and the Perpetual: Aesthetic Reflections in Keats' “Ode on a Grecian Urn” and Leopardi's “Wild Broom”
topic_facet Leopardi
belleza
efimeridad y perpetuidad
romanticismo europeo
Keats
European romanticism
Keats
Leopardi
beauty
ephemerality perpetuity
author Collantes, Lucas Gabriel
author_facet Collantes, Lucas Gabriel
author_sort Collantes, Lucas Gabriel
title The Beauty Between the Ephemeral and the Perpetual: Aesthetic Reflections in Keats' “Ode on a Grecian Urn” and Leopardi's “Wild Broom”
title_short The Beauty Between the Ephemeral and the Perpetual: Aesthetic Reflections in Keats' “Ode on a Grecian Urn” and Leopardi's “Wild Broom”
title_full The Beauty Between the Ephemeral and the Perpetual: Aesthetic Reflections in Keats' “Ode on a Grecian Urn” and Leopardi's “Wild Broom”
title_fullStr The Beauty Between the Ephemeral and the Perpetual: Aesthetic Reflections in Keats' “Ode on a Grecian Urn” and Leopardi's “Wild Broom”
title_full_unstemmed The Beauty Between the Ephemeral and the Perpetual: Aesthetic Reflections in Keats' “Ode on a Grecian Urn” and Leopardi's “Wild Broom”
title_sort beauty between the ephemeral and the perpetual: aesthetic reflections in keats' “ode on a grecian urn” and leopardi's “wild broom”
description The following paper aims to approach, in a comparative and hermeneutical way, the poems “Ode on a Grecian Urn” (1820) by John Keats and “Wild Broom Or the Flower of the Desert” (1836) by Giacomo Leopardi, focusing on the literary pairing of ephemerality and perpetuity. Based on the comparison of literary resources, imagery and recurrent topics that construct these pairings, we hypothesize that, while Keats  deals with a relatively imperishable object, Leopardi composes his canto about a flower that will eventually die;  beauty is presented differently, depending on whether it is something eternal and ideal or a less monumental and more fleeting beauty. Based on a poetic analysis and a theoretical contribution, we intend to compare the different aesthetic considerations which are inherent in each poem and author.
publisher Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2023
url https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42484
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