Nothing to Hide: Aesthetic of Explicitness in the Transposition to Musical Theater of Spring Awakening
In 2006, Broadway witnessed the premiere of the musical Spring Awakening, based on the late-nineteenth century German play with the same name, written by Frank Wedekind. In this analysis, we aim to study the transposition processes that can be observed between both of the pieces. We consider that, b...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras
2023
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42456 |
| Aporte de: |
| id |
I10-R278-article-42456 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R278-article-424562024-03-13T17:06:11Z Nothing to Hide: Aesthetic of Explicitness in the Transposition to Musical Theater of Spring Awakening Nada que esconder: estética de la explicitud en la transposición al teatro musical de Despertar de primavera Vermal, Paz Despertar de primavera Spring Awakening transposición literatura/teatro musical estética de la explicitud procedimientos expansivos Spring Awakening literature/musical theater transposition aesthetic of explicitness expansive procedures In 2006, Broadway witnessed the premiere of the musical Spring Awakening, based on the late-nineteenth century German play with the same name, written by Frank Wedekind. In this analysis, we aim to study the transposition processes that can be observed between both of the pieces. We consider that, by means of expansive procedures and the exhibition of the theatrical statute, the musical piece resorts to an aesthetic of explicitness which intends to raise and develop, in a more outright way, the controversial themes already proposed by Wedekind. En 2006, Broadway vio el estreno del musical Spring Awakening, basado en la obra teatral alemana Despertar de primavera (1891) de Frank Wedekind. El presente trabajo busca estudiar los procesos de transposición observables entre un texto y otro. Consideramos que, mediante procesos expansivos y la exhibición del estatuto teatral, la pieza musical recurre a una estética de la explicitud que busca plantear y desarrollar de manera más rotunda las temáticas polémicas ya propuestas por Wedekind. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2023-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado a ciegas por pares application/pdf text/html application/pdf https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42456 Nota al margen; Vol. 1 No. 2 (2023); 156-168 Nota al margen; Vol. 1 Núm. 2 (2023); 156-168 3008-7015 spa https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42456/43820 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42456/43821 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42456/43822 Derechos de autor 2023 Paz Vermal https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-278 |
| container_title_str |
Nota al margen |
| language |
Español |
| format |
Artículo revista |
| topic |
Despertar de primavera Spring Awakening transposición literatura/teatro musical estética de la explicitud procedimientos expansivos Spring Awakening literature/musical theater transposition aesthetic of explicitness expansive procedures |
| spellingShingle |
Despertar de primavera Spring Awakening transposición literatura/teatro musical estética de la explicitud procedimientos expansivos Spring Awakening literature/musical theater transposition aesthetic of explicitness expansive procedures Vermal, Paz Nothing to Hide: Aesthetic of Explicitness in the Transposition to Musical Theater of Spring Awakening |
| topic_facet |
Despertar de primavera Spring Awakening transposición literatura/teatro musical estética de la explicitud procedimientos expansivos Spring Awakening literature/musical theater transposition aesthetic of explicitness expansive procedures |
| author |
Vermal, Paz |
| author_facet |
Vermal, Paz |
| author_sort |
Vermal, Paz |
| title |
Nothing to Hide: Aesthetic of Explicitness in the Transposition to Musical Theater of Spring Awakening |
| title_short |
Nothing to Hide: Aesthetic of Explicitness in the Transposition to Musical Theater of Spring Awakening |
| title_full |
Nothing to Hide: Aesthetic of Explicitness in the Transposition to Musical Theater of Spring Awakening |
| title_fullStr |
Nothing to Hide: Aesthetic of Explicitness in the Transposition to Musical Theater of Spring Awakening |
| title_full_unstemmed |
Nothing to Hide: Aesthetic of Explicitness in the Transposition to Musical Theater of Spring Awakening |
| title_sort |
nothing to hide: aesthetic of explicitness in the transposition to musical theater of spring awakening |
| description |
In 2006, Broadway witnessed the premiere of the musical Spring Awakening, based on the late-nineteenth century German play with the same name, written by Frank Wedekind. In this analysis, we aim to study the transposition processes that can be observed between both of the pieces. We consider that, by means of expansive procedures and the exhibition of the theatrical statute, the musical piece resorts to an aesthetic of explicitness which intends to raise and develop, in a more outright way, the controversial themes already proposed by Wedekind. |
| publisher |
Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42456 |
| work_keys_str_mv |
AT vermalpaz nothingtohideaestheticofexplicitnessinthetranspositiontomusicaltheaterofspringawakening AT vermalpaz nadaqueesconderesteticadelaexplicitudenlatransposicionalteatromusicaldedespertardeprimavera |
| first_indexed |
2024-09-03T22:37:53Z |
| last_indexed |
2024-09-03T22:37:53Z |
| _version_ |
1809216253574774784 |