The Representations of the Self in El viaje inútil by Camila Sosa Villada and Un año sin amor by Pablo Pérez

Writing, usually, becomes not only a practice of resistance but also of vindication, since certain groups make use of it in order to speak and create their own narrative, in opposition to the wider world that rejects and oppresses them. Therefore, it enables another space, a peripheral space which b...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Heiland, María Macarena
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2023
Materias:
sida
travestismo
escritura
cuerpo
Camila Sosa Villada
Pablo Pérez
aids
transvestism
writing
body
Acceso en línea:https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42439
Aporte de:
Nota al margen de Universidad Nacional de Córdoba
id I10-R278-article-42439
record_format ojs
spelling I10-R278-article-424392024-03-13T17:06:11Z The Representations of the Self in El viaje inútil by Camila Sosa Villada and Un año sin amor by Pablo Pérez Las representaciones del yo en El viaje inútil de Camila Sosa Villada y Un año sin amor de Pablo Pérez Heiland, María Macarena sida travestismo escritura cuerpo Camila Sosa Villada Pablo Pérez aids transvestism writing body Camila Sosa Villada Pablo Pérez Writing, usually, becomes not only a practice of resistance but also of vindication, since certain groups make use of it in order to speak and create their own narrative, in opposition to the wider world that rejects and oppresses them. Therefore, it enables another space, a peripheral space which becomes central and functions as the active back of their lives. The objective of this analysis is, then, to observe how this occurs in two argentine novels: El viaje inútil (2018) by Camila Sosa Villada and Un año sin amor (1998) by Pablo Pérez. To address this matter, we will take into consideration the strategies of the representation of the self and the construction of a certain image by means of writing. In addition, we will emphasize those social representations that revolve around transvestism and AIDS, and the relationship between writing, the body and disease. This way, we will see how this practice allows the appropriation of the aforementioned representations in order to rename them, without euphemisms and without shame, and, hence, claim their own situations. La escritura muchas veces se convierte no solo en una práctica de resistencia, sino también de reivindicación, puesto que ciertos grupos se valen de ella para tomar la palabra y crear su propia narrativa, oponiéndose al mundo exterior que los rechaza y oprime. Así, habilita otro espacio, un espacio periférico que se vuelve central y que funciona como el reverso activo de sus vidas. El objetivo de este trabajo es, entonces, observar de qué modo se produce esto en dos obras argentinas: El viaje inútil (2018), de Camila Sosa Villada y Un año sin amor (1998), de Pablo Pérez. Para ello, tendremos en cuenta las estrategias de la representación del yo y la construcción de determinada imagen a través de la escritura. Además, haremos hincapié en las representaciones sociales que giran en torno al travestismo y al sida, y en la relación entre escritura, cuerpo y enfermedad. De este modo, veremos cómo esta práctica permite la apropiación de dichas representaciones para renombrarlas, sin eufemismos y sin pudor y, así, reivindicar sus propias situaciones. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2023-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado a ciegas por pares application/pdf text/html application/pdf https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42439 Nota al margen; Vol. 1 No. 2 (2023); 115-126 Nota al margen; Vol. 1 Núm. 2 (2023); 115-126 3008-7015 spa https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42439/43798 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42439/43799 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42439/43800 Derechos de autor 2023 María Macarena Heiland https://creativecommons.org/licenses/by-nc/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-278
container_title_str Nota al margen
language Español
format Artículo revista
topic sida
travestismo
escritura
cuerpo
Camila Sosa Villada
Pablo Pérez
aids
transvestism
writing
body
Camila Sosa Villada
Pablo Pérez
spellingShingle sida
travestismo
escritura
cuerpo
Camila Sosa Villada
Pablo Pérez
aids
transvestism
writing
body
Camila Sosa Villada
Pablo Pérez
Heiland, María Macarena
The Representations of the Self in El viaje inútil by Camila Sosa Villada and Un año sin amor by Pablo Pérez
topic_facet sida
travestismo
escritura
cuerpo
Camila Sosa Villada
Pablo Pérez
aids
transvestism
writing
body
Camila Sosa Villada
Pablo Pérez
author Heiland, María Macarena
author_facet Heiland, María Macarena
author_sort Heiland, María Macarena
title The Representations of the Self in El viaje inútil by Camila Sosa Villada and Un año sin amor by Pablo Pérez
title_short The Representations of the Self in El viaje inútil by Camila Sosa Villada and Un año sin amor by Pablo Pérez
title_full The Representations of the Self in El viaje inútil by Camila Sosa Villada and Un año sin amor by Pablo Pérez
title_fullStr The Representations of the Self in El viaje inútil by Camila Sosa Villada and Un año sin amor by Pablo Pérez
title_full_unstemmed The Representations of the Self in El viaje inútil by Camila Sosa Villada and Un año sin amor by Pablo Pérez
title_sort representations of the self in el viaje inútil by camila sosa villada and un año sin amor by pablo pérez
description Writing, usually, becomes not only a practice of resistance but also of vindication, since certain groups make use of it in order to speak and create their own narrative, in opposition to the wider world that rejects and oppresses them. Therefore, it enables another space, a peripheral space which becomes central and functions as the active back of their lives. The objective of this analysis is, then, to observe how this occurs in two argentine novels: El viaje inútil (2018) by Camila Sosa Villada and Un año sin amor (1998) by Pablo Pérez. To address this matter, we will take into consideration the strategies of the representation of the self and the construction of a certain image by means of writing. In addition, we will emphasize those social representations that revolve around transvestism and AIDS, and the relationship between writing, the body and disease. This way, we will see how this practice allows the appropriation of the aforementioned representations in order to rename them, without euphemisms and without shame, and, hence, claim their own situations.
publisher Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2023
url https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42439
work_keys_str_mv AT heilandmariamacarena therepresentationsoftheselfinelviajeinutilbycamilasosavilladaandunanosinamorbypabloperez
AT heilandmariamacarena lasrepresentacionesdelyoenelviajeinutildecamilasosavilladayunanosinamordepabloperez
AT heilandmariamacarena representationsoftheselfinelviajeinutilbycamilasosavilladaandunanosinamorbypabloperez
first_indexed 2024-09-03T22:37:53Z
last_indexed 2024-09-03T22:37:53Z
_version_ 1809216252922560512

Ejemplares similares