Alero Dásovich : Rock Art And Archaeological Context . Identity And Micro-Identities In The Valleys Of The Ríos Mayo And Guenguel, South west Of Chubut Province, Patagonia Argentina

In this article we present for the first time the study of a new site with rockart: Eaves DЗsovich. This, expands the registry from the graphical representations on rock already known for the valleys of the Mayo river and one of its tributaries the Guenguel (southwest of the province of Chubut, Arge...

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Autor principal: Arrigoni, Gloria Iris
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: EdUNLu 2018
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Acceso en línea:http://plarci.org/index.php/atekna/article/view/173
http://suquia.ffyh.unc.edu.ar/handle/suquia/9821
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Sumario:In this article we present for the first time the study of a new site with rockart: Eaves DЗsovich. This, expands the registry from the graphical representations on rock already known for the valleys of the Mayo river and one of its tributaries the Guenguel (southwest of the province of Chubut, Argentina). By means of the detailed descriptions of each motivethe corresponding photographic survey and its cataloging is intended to carry out not only the inventory but also its rescue given that- due to different kinds of phenomena - the deterioration of them is increasing day by day, in some cases to the total loss. In second instance, and in order to unravel the problematic of the cultural universe of the area under study, the relevance of the application to the identity analysis the concepts of “identity” and “micro identity” (Kottak 2011) is discussed. Rock Art as part of the material culture allows access to the symbolicideological world and distinguish identities at macro and micro-ethnic scales (regional and local, respectively), as well as approaching the identification of possible authors (Apellániz 1980; Amaya 2014). The viability of recovering some of the meanings of the parietal expressions is explored by taking sources contributed by aboriginal interlocutors and by archaeological, historical and ethnographic bibliography. Likewise, rock art is contextualized to other cultural evidences (Components I, II and III).