Links between philosophical thinking and artistic practice. Relations between cinema and theatre

This works considers the relationship between art and philosophy, and within it, the link between cinema and theatre, especially from the point of view of the actor and of the topics related to the body. Following Deleuze, we can say that the body is no longer a problem “that separates thinking from...

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Autor principal: Macheret, Gabriela Patricia
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2013
Materias:
Art
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/9325
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id I10-R10article-9325
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Art
Philosophy
Acting
Cinema
Theatre
Arte
filosofía
actuación
cine
teatro
spellingShingle Art
Philosophy
Acting
Cinema
Theatre
Arte
filosofía
actuación
cine
teatro
Macheret, Gabriela Patricia
Links between philosophical thinking and artistic practice. Relations between cinema and theatre
topic_facet Art
Philosophy
Acting
Cinema
Theatre
Arte
filosofía
actuación
cine
teatro
author Macheret, Gabriela Patricia
author_facet Macheret, Gabriela Patricia
author_sort Macheret, Gabriela Patricia
title Links between philosophical thinking and artistic practice. Relations between cinema and theatre
title_short Links between philosophical thinking and artistic practice. Relations between cinema and theatre
title_full Links between philosophical thinking and artistic practice. Relations between cinema and theatre
title_fullStr Links between philosophical thinking and artistic practice. Relations between cinema and theatre
title_full_unstemmed Links between philosophical thinking and artistic practice. Relations between cinema and theatre
title_sort links between philosophical thinking and artistic practice. relations between cinema and theatre
description This works considers the relationship between art and philosophy, and within it, the link between cinema and theatre, especially from the point of view of the actor and of the topics related to the body. Following Deleuze, we can say that the body is no longer a problem “that separates thinking from itself”, but has become “that aspect into which thinking sinks or has to sink so as to reach the unthinkable, that is to say, life”.It seems that contemporary art and its different manifestations move around similar conceptual grounds, and therefore also deal with similar procedural ideas. The procedures not considered as the mis-en-scene of concepts, for the work, but as the always provisory pragmatics, of viewpoints that establish complex networks that intertwingle, untangle and cris-cross again. The affectations to be considered are those related to philosophy and to the different artistic expressions among themselves; especially the dialogue that theatre and cinema can establish with thought itself
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2013
url https://revistas.unc.edu.ar/index.php/toma1/article/view/9325
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