Alfred Hitchcoclk´s shadow in Life documentary series

Throughout its history, documentaries have not been exempt from the use of expressive resources and narrative mechanisms common to fiction films. Reality has been shown from different perspectives that have even altered the very notion of it, giving rise to several discussions between veracity and v...

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Autor principal: Sanjuan Minguez, Ramón Sanjuan
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012
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Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/8570
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id I10-R10article-8570
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Psychological realism
Verosimilitude in film
Documentaries and music
Alfred Hitchcock
Bill Nichols
Realismo psicológico
Verosimilitud en cine
Música y documental
Alfred Hitchcock
Bill Nichols
spellingShingle Psychological realism
Verosimilitude in film
Documentaries and music
Alfred Hitchcock
Bill Nichols
Realismo psicológico
Verosimilitud en cine
Música y documental
Alfred Hitchcock
Bill Nichols
Sanjuan Minguez, Ramón Sanjuan
Alfred Hitchcoclk´s shadow in Life documentary series
topic_facet Psychological realism
Verosimilitude in film
Documentaries and music
Alfred Hitchcock
Bill Nichols
Realismo psicológico
Verosimilitud en cine
Música y documental
Alfred Hitchcock
Bill Nichols
author Sanjuan Minguez, Ramón Sanjuan
author_facet Sanjuan Minguez, Ramón Sanjuan
author_sort Sanjuan Minguez, Ramón Sanjuan
title Alfred Hitchcoclk´s shadow in Life documentary series
title_short Alfred Hitchcoclk´s shadow in Life documentary series
title_full Alfred Hitchcoclk´s shadow in Life documentary series
title_fullStr Alfred Hitchcoclk´s shadow in Life documentary series
title_full_unstemmed Alfred Hitchcoclk´s shadow in Life documentary series
title_sort alfred hitchcoclk´s shadow in life documentary series
description Throughout its history, documentaries have not been exempt from the use of expressive resources and narrative mechanisms common to fiction films. Reality has been shown from different perspectives that have even altered the very notion of it, giving rise to several discussions between veracity and verisimilitude.In this sense, some authors have defended a creative treatment of reality (Grierson), have included an aesthetic component in reality (Krakauer), or have highlighted the importance of our perceptual experience (Bazin). Other authors such as Bill Nichols, have defended the existence of different categories of realism, based on mimetic reproduction. For Nichols realism may be empirical, psychological or historical.The purpose of our work is to demonstrate the great importance that sound resources have in the psychological treatment of nature scenes, presented in the documentary series Life (BBC). To this purpose we have established two lines of research: first, the expressive comparison between hunting scenes of the series and the dramatic psychological treatment of some Hitchcockian murders and, on the other hand, a detailed musical analysis of these scenes. 
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2012
url https://revistas.unc.edu.ar/index.php/toma1/article/view/8570
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