New mexican documentary and the borders of representation

This paper studies documentary film produced in Mexico during the first ten years of the Twenty First Century. The first section is focused on the aesthetic and ideological borders of contemporary documentary. The second section is focused on key documentaries produced in its first hundred years in...

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Autor principal: Zavala, Lauro
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012
Materias:
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/8567
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id I10-R10article-8567
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cine Documental
Cine Mexicano contemporáneo
Fronteras
Ideologías
Documentary Film
Contemporary Mexican Film
spellingShingle Cine Documental
Cine Mexicano contemporáneo
Fronteras
Ideologías
Documentary Film
Contemporary Mexican Film
Zavala, Lauro
New mexican documentary and the borders of representation
topic_facet Cine Documental
Cine Mexicano contemporáneo
Fronteras
Ideologías
Documentary Film
Contemporary Mexican Film
author Zavala, Lauro
author_facet Zavala, Lauro
author_sort Zavala, Lauro
title New mexican documentary and the borders of representation
title_short New mexican documentary and the borders of representation
title_full New mexican documentary and the borders of representation
title_fullStr New mexican documentary and the borders of representation
title_full_unstemmed New mexican documentary and the borders of representation
title_sort new mexican documentary and the borders of representation
description This paper studies documentary film produced in Mexico during the first ten years of the Twenty First Century. The first section is focused on the aesthetic and ideological borders of contemporary documentary. The second section is focused on key documentaries produced in its first hundred years in Mexico. Then the focus is placed on recent creation of festivals, archives, and strategies of distribution and exhibition. The paper ends commenting on some documentaries produced during the decade under study (2000– 2010).  
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2012
url https://revistas.unc.edu.ar/index.php/toma1/article/view/8567
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