Gombrowicz y la irrelevancia de la forma
Gombrowicz enters the Argentine literary system in 1939 and is located on its banks when it is ordered around Sur gradually, the literary supplement of the Nation and what some critics like Martin Prieto designated the "empire malleísta". However, to leave the country in April 1963, the st...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2012
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/7931 |
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| Sumario: | Gombrowicz enters the Argentine literary system in 1939 and is located on its banks when it is ordered around Sur gradually, the literary supplement of the Nation and what some critics like Martin Prieto designated the "empire malleísta". However, to leave the country in April 1963, the stage of the local letters is different: not only the rule of Mallea is replaced in the mid-forties with a new model promoted by some writers write related to South but , facing the sixties, new agents that displace the magazine run by Victoria Ocampo and installed a theoretical discussion, aesthetic and political unknown in Argentina. Parallel to these re-positioning in the local system between the late thirties to mid-sixties, the course for which the path passes Witold Gombrowicz in our country it is during this period permanently marginalized local bodies consecration. In this sense, the present work is to examine from a practical conception of discourse as discursive strategies made by the author of Ferdydurke under a management process to the competence to redefine their "social identity" and be recognized and built by his peers to the network of relationships specific to the sixties begins to revolve around the names of Borges and Cortázar in Argentina and abroad. |
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