The sick body as potency in Fruta podrida (2007) by Lina Meruane

In the present article we propose to carry out a reading of the novel Fruta podrida (2007) by Lina Meruane that will focus on the character of Zoila in order to establish an inquiry about the power of the sick body as a way-of-life within a system that, under the imperative and promise of health, ma...

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Autor principal: Julieta Marina Vanney
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2021
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/35972
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id I10-R10article-35972
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic body
disease
decomposition
writing
potency
cuerpo
enfermedad
descomposición
escritura
potencia
spellingShingle body
disease
decomposition
writing
potency
cuerpo
enfermedad
descomposición
escritura
potencia
Julieta Marina Vanney
The sick body as potency in Fruta podrida (2007) by Lina Meruane
topic_facet body
disease
decomposition
writing
potency
cuerpo
enfermedad
descomposición
escritura
potencia
author Julieta Marina Vanney
author_facet Julieta Marina Vanney
author_sort Julieta Marina Vanney
title The sick body as potency in Fruta podrida (2007) by Lina Meruane
title_short The sick body as potency in Fruta podrida (2007) by Lina Meruane
title_full The sick body as potency in Fruta podrida (2007) by Lina Meruane
title_fullStr The sick body as potency in Fruta podrida (2007) by Lina Meruane
title_full_unstemmed The sick body as potency in Fruta podrida (2007) by Lina Meruane
title_sort sick body as potency in fruta podrida (2007) by lina meruane
description In the present article we propose to carry out a reading of the novel Fruta podrida (2007) by Lina Meruane that will focus on the character of Zoila in order to establish an inquiry about the power of the sick body as a way-of-life within a system that, under the imperative and promise of health, manifests itself in an intervention that separates body and person, and establishes an empire in which the obligation to make-live invades all areas of existence. A series of tensions converge in the character of Zoila that complicate the taxonomies on which the text is built (health/disease, productivity/unproductivity): she lives in the disease that is killing her; she multiplies and re-produces herself; in her apparent leisure, she works towards a goal; and, finally, she captures, through writing, the decomposition of her body. We do not mean by this that the disease represents some kind of liberation for Zoila, but we can affirm that it installs her in another field of power relations from which she, through a series of operations, manages to reposition herself.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2021
url https://revistas.unc.edu.ar/index.php/recial/article/view/35972
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