Let's have a little chat, right? A long conversation about popular music

This work is an attempt to present a conceptual synthesis of a research team's work, that has been inquiring on popular music. This team has taken part in the research program "Discourses as practises", initially directed by Danuta T. Mozejko and Ricardo L. Costa, until its dissolutio...

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Autor principal: Díaz, Claudio Fernando
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2020
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/31275
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id I10-R10article-31275
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic popular music
discourse
body
emotions
música popular
discurso
cuerpo
emociones
spellingShingle popular music
discourse
body
emotions
música popular
discurso
cuerpo
emociones
Díaz, Claudio Fernando
Let's have a little chat, right? A long conversation about popular music
topic_facet popular music
discourse
body
emotions
música popular
discurso
cuerpo
emociones
author Díaz, Claudio Fernando
author_facet Díaz, Claudio Fernando
author_sort Díaz, Claudio Fernando
title Let's have a little chat, right? A long conversation about popular music
title_short Let's have a little chat, right? A long conversation about popular music
title_full Let's have a little chat, right? A long conversation about popular music
title_fullStr Let's have a little chat, right? A long conversation about popular music
title_full_unstemmed Let's have a little chat, right? A long conversation about popular music
title_sort let's have a little chat, right? a long conversation about popular music
description This work is an attempt to present a conceptual synthesis of a research team's work, that has been inquiring on popular music. This team has taken part in the research program "Discourses as practises", initially directed by Danuta T. Mozejko and Ricardo L. Costa, until its dissolution in 2017. Since then, it stills work independently considerating production, circulation and consumption of popular music as discursive practises. From that point of view this article develops some concepts vinculated to the discourse and music relation, to the articulation among musical production and reception practises, and to the affective/emotional dimension of the popular music production and consumption.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2020
url https://revistas.unc.edu.ar/index.php/recial/article/view/31275
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