Visible ties. Political projections of the family in contemporary Argentine cinema
This article studies the way in which many fictions of Argentine cinema frequently resorted to the figure of the family, no longer as an allegory, but literally, thus emphasizing the problem that runs through contemporary family binders, ties and montages. In this sense, these films dialogue with so...
Guardado en:
| Autor principal: | |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2020
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| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/30789 |
| Aporte de: |
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I10-R10article-30789 |
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ojs |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
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R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
family argentinian cinema contemporary cinema gender sexualities familia cine argentino cine contemporáneo género sexualidades |
| spellingShingle |
family argentinian cinema contemporary cinema gender sexualities familia cine argentino cine contemporáneo género sexualidades Zangrandi, Marcos Visible ties. Political projections of the family in contemporary Argentine cinema |
| topic_facet |
family argentinian cinema contemporary cinema gender sexualities familia cine argentino cine contemporáneo género sexualidades |
| author |
Zangrandi, Marcos |
| author_facet |
Zangrandi, Marcos |
| author_sort |
Zangrandi, Marcos |
| title |
Visible ties. Political projections of the family in contemporary Argentine cinema |
| title_short |
Visible ties. Political projections of the family in contemporary Argentine cinema |
| title_full |
Visible ties. Political projections of the family in contemporary Argentine cinema |
| title_fullStr |
Visible ties. Political projections of the family in contemporary Argentine cinema |
| title_full_unstemmed |
Visible ties. Political projections of the family in contemporary Argentine cinema |
| title_sort |
visible ties. political projections of the family in contemporary argentine cinema |
| description |
This article studies the way in which many fictions of Argentine cinema frequently resorted to the figure of the family, no longer as an allegory, but literally, thus emphasizing the problem that runs through contemporary family binders, ties and montages. In this sense, these films dialogue with social and cultural changes produced in recent years, theoretical interventions around the concept of gender and activism of LGBTIQ + and feminists groups. In Argentina, the link of these fictions with the debates produced around the laws of Equal Marriage, Comprehensive Sex Education, Gender Identity and the project of Legal Abortion is unavoidable. From this displacement, it is possible to notice a turn in relation to the private / public axis that historically organized, not only the domestic order, but also the political dimension of distributed objects. In this case, the family problem (and its derivations: upbringing, kinship, patriarchal and sanguine order, pregnancy, corporality, desire, sexuality) crosses the private sphere, and is exposed to public light; in this process, it acquires an ostensible and renewed power. In accordance with this approach, the link between family construction in relation to rape, desire and sexuality is studied in the films Los sonámbulos, Un rubio and Fin de siglo.
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ARK: http://id.caicyt.gov.ar/ark:/s22504524/kukahd0z3 |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/30789 |
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AT zangrandimarcos visibletiespoliticalprojectionsofthefamilyincontemporaryargentinecinema AT zangrandimarcos lazosvisiblesproyeccionespoliticasdelafamiliaenelcineargentinocontemporaneo |
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