When the Marble lives… The Peronist Power in a biographical tour of the sculptures of the Monumento al Descamisado
This article intends to think about the power –past and present– of Peronism as a political-cultural movement, based on an analysis of the sculptures entitled Los derechos del trabajador and La razón de mi vida, originally intended as part of the so-called Monumento al Descamisado, designed by the g...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Historia
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/anuariohistoria/article/view/27472 |
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| Sumario: | This article intends to think about the power –past and present– of Peronism as a political-cultural movement, based on an analysis of the sculptures entitled Los derechos del trabajador and La razón de mi vida, originally intended as part of the so-called Monumento al Descamisado, designed by the government in 1951, and currently part of the heritage of the Museo Histórico 17 de octubre, located in the town of San Vicente, Province of Buenos Aires. Addressing them from the point of view of the biographical approach of the material culture, a tour of the different moments that the sculptures went through to the place (physical, historical and symbolic) that they occupy today is realized, thus understanding not only that they have managed to transcend enormously to its creators, but have also been resignified and transformed into various instances, as the product of changing social and power relations. |
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