Hadewijch. Between mysticism and passion, the superego

This article is based on the film Hadewijch by Bruno Dumont (2009), which is inspired by a young woman whose pain of being pushes her to a fanatical passion until the last consequences. This work lies in the articulation of this film with the fanaticism phenomenon, in one of its versions, mysticism....

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Autor principal: Gómez, Mariana
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22768
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id I10-R10article-22768
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Lo femenino
Masoquismo
Goce femenino
Fanatismo
Superyó femenino
Cuerpo
The feminine
Masochism
Feminine jouissance
Fanaticism
Feminine superego
Body
spellingShingle Lo femenino
Masoquismo
Goce femenino
Fanatismo
Superyó femenino
Cuerpo
The feminine
Masochism
Feminine jouissance
Fanaticism
Feminine superego
Body
Gómez, Mariana
Hadewijch. Between mysticism and passion, the superego
topic_facet Lo femenino
Masoquismo
Goce femenino
Fanatismo
Superyó femenino
Cuerpo
The feminine
Masochism
Feminine jouissance
Fanaticism
Feminine superego
Body
author Gómez, Mariana
author_facet Gómez, Mariana
author_sort Gómez, Mariana
title Hadewijch. Between mysticism and passion, the superego
title_short Hadewijch. Between mysticism and passion, the superego
title_full Hadewijch. Between mysticism and passion, the superego
title_fullStr Hadewijch. Between mysticism and passion, the superego
title_full_unstemmed Hadewijch. Between mysticism and passion, the superego
title_sort hadewijch. between mysticism and passion, the superego
description This article is based on the film Hadewijch by Bruno Dumont (2009), which is inspired by a young woman whose pain of being pushes her to a fanatical passion until the last consequences. This work lies in the articulation of this film with the fanaticism phenomenon, in one of its versions, mysticism. It maintains the premise that speaking of fanaticism implies the question of the body and parts of three points: masochism, the feminine and the superego. The question is asked about the superego in all fanatical passions, and its relationship with feminine jouissance. In this way, mysticism is approached from the original masochism, thinking it in relation to the feminine of the superego that pushes to jouissance disproportionately. From a journey through these theoretical categories, we seek to answer what leads Hadewijch to such mystical fanaticism and how far this woman can go by a fanatical love for the other
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2018
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22768
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