The lost image
The majority of Rithy Panh’s movies focus on the aftermath of the genocidal Khmer Rouge regime in Cambodia. The Missing Picture offers in 2013, a partially autobiographical approach, accessible to a wide audience. Rithy Panh uses clay figures, archival footage, and his narration to describe the atro...
Guardado en:
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22761 |
| Aporte de: |
| id |
I10-R10article-22761 |
|---|---|
| record_format |
ojs |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Subject Trauma Memory Absence Alteration of the visible Aesthetic and Politics Sujeto Trauma Memoria Ausencia Alteración de lo visible Estética y Política |
| spellingShingle |
Subject Trauma Memory Absence Alteration of the visible Aesthetic and Politics Sujeto Trauma Memoria Ausencia Alteración de lo visible Estética y Política Renard, Caroline The lost image |
| topic_facet |
Subject Trauma Memory Absence Alteration of the visible Aesthetic and Politics Sujeto Trauma Memoria Ausencia Alteración de lo visible Estética y Política |
| author |
Renard, Caroline |
| author_facet |
Renard, Caroline |
| author_sort |
Renard, Caroline |
| title |
The lost image |
| title_short |
The lost image |
| title_full |
The lost image |
| title_fullStr |
The lost image |
| title_full_unstemmed |
The lost image |
| title_sort |
lost image |
| description |
The majority of Rithy Panh’s movies focus on the aftermath of the genocidal Khmer Rouge regime in Cambodia. The Missing Picture offers in 2013, a partially autobiographical approach, accessible to a wide audience. Rithy Panh uses clay figures, archival footage, and his narration to describe the atrocities Cambodia’s Khmer Rouge committed between 1975 and 1979. This movie allows to analyze the question of the construction of the subject facing a traumatic event. In a continuous loop, the narration drives the trauma’s matter from a scene to the other one. Working on the diversity of images leads the trauma in the cinematic material |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22761 |
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AT renardcaroline thelostimage AT renardcaroline elsujetodeltrauma AT renardcaroline lostimage |
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Revistas |
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1764819781792301058 |