Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros

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Taking as a starting point the study of Marco Berger´s Hawaii (2013) and Papu Curotto´s Esteros (2016), the article tackles on the tensions between the so called New Argentine Cinema and LGBT cinema in Argentina. On one hand it explores disjunctions amongst the way that love stories are told as univ...

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Autor principal: Forastelli, Fabricio
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018
Materias:
Nuevo Cine Argentino
Cine Argentino LGBT
Universalidad
Diferencia
Pappu Curotto
Marcos Berger
New Argentine Cinema
Argentine LGBT Cinema
Universality
Difference
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/20906
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-20906
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Nuevo Cine Argentino
Cine Argentino LGBT
Universalidad
Diferencia
Pappu Curotto
Marcos Berger
New Argentine Cinema
Argentine LGBT Cinema
Universality
Difference
Pappu Curotto
Marcos Berger
spellingShingle Nuevo Cine Argentino
Cine Argentino LGBT
Universalidad
Diferencia
Pappu Curotto
Marcos Berger
New Argentine Cinema
Argentine LGBT Cinema
Universality
Difference
Pappu Curotto
Marcos Berger
Forastelli, Fabricio
Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros
topic_facet Nuevo Cine Argentino
Cine Argentino LGBT
Universalidad
Diferencia
Pappu Curotto
Marcos Berger
New Argentine Cinema
Argentine LGBT Cinema
Universality
Difference
Pappu Curotto
Marcos Berger
author Forastelli, Fabricio
author_facet Forastelli, Fabricio
author_sort Forastelli, Fabricio
title Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros
title_short Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros
title_full Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros
title_fullStr Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros
title_full_unstemmed Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros
title_sort narratives of equality in argentininian lgbt cinema. marco berger’s hawaii and papu curotto’s esteros
description Taking as a starting point the study of Marco Berger´s Hawaii (2013) and Papu Curotto´s Esteros (2016), the article tackles on the tensions between the so called New Argentine Cinema and LGBT cinema in Argentina. On one hand it explores disjunctions amongst the way that love stories are told as universals, and temporality as an structuring principle, focusing on the figure of zombies or the walking dead; On another, it locates these narrations within the frame of changes in Argentina's politics of equality of the last fifteen years.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2018
url https://revistas.unc.edu.ar/index.php/toma1/article/view/20906
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bdutipo_str Revistas
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