Bioethics of genetic innovations and artificial intelligence

This article addresses two films: Never let me go (2010) and Ex-Machina (2015). It proposes an analysis of these, establishing a counterpoint between both of them, having as axis for this analysis the dignity and the condition of humanity to which that concept is linked. In this context, cinema appe...

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Autor principal: Bogetti, Celeste
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2017
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Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19723
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id I10-R10article-19723
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Bioethics
Cinema
Biotechnology
Artificial intelligence
Dignity
Humanity
Bioética
Cine
Biotecnología
Inteligencia Artificial
dignidad
humanidad
spellingShingle Bioethics
Cinema
Biotechnology
Artificial intelligence
Dignity
Humanity
Bioética
Cine
Biotecnología
Inteligencia Artificial
dignidad
humanidad
Bogetti, Celeste
Bioethics of genetic innovations and artificial intelligence
topic_facet Bioethics
Cinema
Biotechnology
Artificial intelligence
Dignity
Humanity
Bioética
Cine
Biotecnología
Inteligencia Artificial
dignidad
humanidad
author Bogetti, Celeste
author_facet Bogetti, Celeste
author_sort Bogetti, Celeste
title Bioethics of genetic innovations and artificial intelligence
title_short Bioethics of genetic innovations and artificial intelligence
title_full Bioethics of genetic innovations and artificial intelligence
title_fullStr Bioethics of genetic innovations and artificial intelligence
title_full_unstemmed Bioethics of genetic innovations and artificial intelligence
title_sort bioethics of genetic innovations and artificial intelligence
description This article addresses two films: Never let me go (2010) and Ex-Machina (2015). It proposes an analysis of these, establishing a counterpoint between both of them, having as axis for this analysis the dignity and the condition of humanity to which that concept is linked. In this context, cinema appears as a tool for proposing ethical and bioethical dilemmas. The aplication of new technologies in human beings brings new dilemmas in the biomedical area, which raises bioethical dilemmas. Within these technologies we find genetic manipulation/cloning and artificial intelligence, topics that both movies approach.  Regarding this, different questions can be posed: do the human beings, created artificially for an especific purpose, have the same dignity as others? How the intervention of technology to create humans that are means to an end can be morally justified? Which is the objective of creating artificial intelligence? Could it replace human beings? Could it be considered as having dignity?  We can think about this ethical dilemmas, that revolve around humanity and dignity, questioned by the intromission of new technologies, as an irruption of singularity in an universe where the mankind is considered mortal and finite, what if the posibilty of inmortality arises?
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2017
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19723
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bdutipo_str Revistas
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