All scars: towards a colonial phenomenology in Frantz Fanon

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This text focuses on contemporary coordinates of discussion about Frantz Fanon´s work. Starting from the identification of two moments, in which different topics are discussed, we proceed to establish the standpoints to construct a "phenomenology of the colonial". This implies a process of...

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Detalles Bibliográficos
Autores principales: Gandarilla Salgado, José, Ortega Reyna, Jaime
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2017
Materias:
Fanon
fenomenología
colonial
phenomenology
Acceso en línea:https://revistas.unc.edu.ar/index.php/intersticios/article/view/18490
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-18490
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Fanon
fenomenología
colonial
Fanon
phenomenology
colonial
spellingShingle Fanon
fenomenología
colonial
Fanon
phenomenology
colonial
Gandarilla Salgado, José
Ortega Reyna, Jaime
All scars: towards a colonial phenomenology in Frantz Fanon
topic_facet Fanon
fenomenología
colonial
Fanon
phenomenology
colonial
author Gandarilla Salgado, José
Ortega Reyna, Jaime
author_facet Gandarilla Salgado, José
Ortega Reyna, Jaime
author_sort Gandarilla Salgado, José
title All scars: towards a colonial phenomenology in Frantz Fanon
title_short All scars: towards a colonial phenomenology in Frantz Fanon
title_full All scars: towards a colonial phenomenology in Frantz Fanon
title_fullStr All scars: towards a colonial phenomenology in Frantz Fanon
title_full_unstemmed All scars: towards a colonial phenomenology in Frantz Fanon
title_sort all scars: towards a colonial phenomenology in frantz fanon
description This text focuses on contemporary coordinates of discussion about Frantz Fanon´s work. Starting from the identification of two moments, in which different topics are discussed, we proceed to establish the standpoints to construct a "phenomenology of the colonial". This implies a process of approaching to recurrent phenomenologies in western thought. Subsequently, we proceed to draw lines of demarcation from the colonial element, present clearly in the work of Fanon, Black skin, white masks. 
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2017
url https://revistas.unc.edu.ar/index.php/intersticios/article/view/18490
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AT ortegareynajaime todaslascicatriceshaciaunafenomenologiadelocolonialenfrantzfanon
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