THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO

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In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his  work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. The organizatio...

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Autor principal: Repetto, Carolina Rosa
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2015
Materias:
genética
teatro
Lamborghini
lector
Trento
Acceso en línea:https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12284
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-12284
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic genética
teatro
Lamborghini
lector
Trento
spellingShingle genética
teatro
Lamborghini
lector
Trento
Repetto, Carolina Rosa
THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
topic_facet genética
teatro
Lamborghini
lector
Trento
author Repetto, Carolina Rosa
author_facet Repetto, Carolina Rosa
author_sort Repetto, Carolina Rosa
title THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_short THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_full THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_fullStr THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_full_unstemmed THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_sort manuscript as a point of arrival: theatre and narrative before leonidas lamborghini’s trento
description In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his  work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. The organization of the Lamborghini’s manuscripts has allowed an exhaustive analysis of the aspects of his narrative works and Trento "dramatic texts" as for director’s indications or scenic formats, and also the conception of spectator/reader in some of his works. A genetic edition based on the search of itineraries that go and come across the generic borders between novel and theatre presents aspects of interest to think not only this Leónidas Lamborghini's particular work but also to think all his poetical and narrative work, for the procedures and formal works of rewriting are persistent along his creation.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2015
url https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12284
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