THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. The organizatio...
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Formato: | Artículo revista |
Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2015
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12284 |
Aporte de: |
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I10-R10article-12284 |
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record_format |
ojs |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-10 |
container_title_str |
Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
genética teatro Lamborghini lector Trento |
spellingShingle |
genética teatro Lamborghini lector Trento Repetto, Carolina Rosa THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO |
topic_facet |
genética teatro Lamborghini lector Trento |
author |
Repetto, Carolina Rosa |
author_facet |
Repetto, Carolina Rosa |
author_sort |
Repetto, Carolina Rosa |
title |
THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO |
title_short |
THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO |
title_full |
THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO |
title_fullStr |
THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO |
title_full_unstemmed |
THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO |
title_sort |
manuscript as a point of arrival: theatre and narrative before leonidas lamborghini’s trento |
description |
In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. The organization of the Lamborghini’s manuscripts has allowed an exhaustive analysis of the aspects of his narrative works and Trento "dramatic texts" as for director’s indications or scenic formats, and also the conception of spectator/reader in some of his works. A genetic edition based on the search of itineraries that go and come across the generic borders between novel and theatre presents aspects of interest to think not only this Leónidas Lamborghini's particular work but also to think all his poetical and narrative work, for the procedures and formal works of rewriting are persistent along his creation. |
publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
publishDate |
2015 |
url |
https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12284 |
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Revistas |
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