Circus and cultural policies in Buenos Aires

In this paper I propose to analyze the release of a cultural policy to promote circus arts in the city of Buenos Aires, started in 2009 through the First Buenos Aires International Circus Festival. Through the analysis of the formulation and implementation of the public policy, I will present some o...

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Autor principal: Infantino, Julieta
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2015
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Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/11468
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id I10-R10article-11468
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic cultural policies
disputes
circus arts
democratization
popularization of culture
políticas culturales
disputas
artes circenses
democratización
popularización de la cultura
spellingShingle cultural policies
disputes
circus arts
democratization
popularization of culture
políticas culturales
disputas
artes circenses
democratización
popularización de la cultura
Infantino, Julieta
Circus and cultural policies in Buenos Aires
topic_facet cultural policies
disputes
circus arts
democratization
popularization of culture
políticas culturales
disputas
artes circenses
democratización
popularización de la cultura
author Infantino, Julieta
author_facet Infantino, Julieta
author_sort Infantino, Julieta
title Circus and cultural policies in Buenos Aires
title_short Circus and cultural policies in Buenos Aires
title_full Circus and cultural policies in Buenos Aires
title_fullStr Circus and cultural policies in Buenos Aires
title_full_unstemmed Circus and cultural policies in Buenos Aires
title_sort circus and cultural policies in buenos aires
description In this paper I propose to analyze the release of a cultural policy to promote circus arts in the city of Buenos Aires, started in 2009 through the First Buenos Aires International Circus Festival. Through the analysis of the formulation and implementation of the public policy, I will present some of the controversies that emerged from state intervention in the local circus art field in relation to certain key concepts: what is meant by cultural policies, by democratization / popularization of culture and about the role attributed to the State in this area. Through the analysis proposed I intend to problematize the diverse and unequal actors involved in the field of (cultural) policies. Thus, I intend to analyze the official speeches that inspired the creation of the policy under study and the rejections and negotiation generated by the implementation of this new way of public intervention in the circus cultural field.
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2015
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/11468
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