Links between philosophical thinking and artistic practice. Relations between cinema and theatre

This works considers the relationship between art and philosophy, and within it, the link between cinema and theatre, especially from the point of view of the actor and of the topics related to the body. Following Deleuze, we can say that the body is no longer a problem “that separates thinking from...

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Autor principal: Macheret, Gabriela Patricia
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2013
Materias:
Art
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/9325
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spelling I10-R10-article-93252020-11-01T03:56:49Z Links between philosophical thinking and artistic practice. Relations between cinema and theatre Vinculaciones entre el pensamiento filosófico y la práctica artística. Relaciones entre cine y teatro Macheret, Gabriela Patricia Art Philosophy Acting Cinema Theatre Arte filosofía actuación cine teatro This works considers the relationship between art and philosophy, and within it, the link between cinema and theatre, especially from the point of view of the actor and of the topics related to the body. Following Deleuze, we can say that the body is no longer a problem “that separates thinking from itself”, but has become “that aspect into which thinking sinks or has to sink so as to reach the unthinkable, that is to say, life”.It seems that contemporary art and its different manifestations move around similar conceptual grounds, and therefore also deal with similar procedural ideas. The procedures not considered as the mis-en-scene of concepts, for the work, but as the always provisory pragmatics, of viewpoints that establish complex networks that intertwingle, untangle and cris-cross again. The affectations to be considered are those related to philosophy and to the different artistic expressions among themselves; especially the dialogue that theatre and cinema can establish with thought itself Se propone una reflexión acerca de la relación arte-filosofía y dentro de ella, el vínculo cine-teatro, sobre todo desde el punto de vista del actor y el problema del cuerpo que, en palabras de Deleluze, ha dejado de ser un  problema “que separa al pensamiento de sí mismo”, para convertirse en “aquello en lo cual el pensamiento se sumerge o debe sumergirse, para alcanzar lo impensado, es decir, la vida”.Al parecer, el arte contemporáneo en sus diferentes manifestaciones, se mueve por territorios conceptuales semejantes y, por ende, procedimentales. Los procedimientos no considerados como la puesta en marcha, en obra, de los conceptos, sino como la pragmática, siempre provisoria, de puntos de vista que resultan de la afectación entre puntos de vista, que establecen complejas redes que se entrecruzan, se fugan y se vuelven a cruzar. El afecto a considerar, es el de la filosofía y el de las distintas expresiones artísticas entre sí, pero sobre todo el modo en que dialogan o pueden dialogar el teatro y el cine con el pensamiento. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2013-10-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/9325 Toma Uno; No. 2 (2013): El cine y las otras artes; 33-48 TOMA UNO; Núm. 2 (2013): El cine y las otras artes; 33-48 2250-4524 2313-9692 10.55442/tomauno.n2.2013 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/9325/10047
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Art
Philosophy
Acting
Cinema
Theatre
Arte
filosofía
actuación
cine
teatro
spellingShingle Art
Philosophy
Acting
Cinema
Theatre
Arte
filosofía
actuación
cine
teatro
Macheret, Gabriela Patricia
Links between philosophical thinking and artistic practice. Relations between cinema and theatre
topic_facet Art
Philosophy
Acting
Cinema
Theatre
Arte
filosofía
actuación
cine
teatro
author Macheret, Gabriela Patricia
author_facet Macheret, Gabriela Patricia
author_sort Macheret, Gabriela Patricia
title Links between philosophical thinking and artistic practice. Relations between cinema and theatre
title_short Links between philosophical thinking and artistic practice. Relations between cinema and theatre
title_full Links between philosophical thinking and artistic practice. Relations between cinema and theatre
title_fullStr Links between philosophical thinking and artistic practice. Relations between cinema and theatre
title_full_unstemmed Links between philosophical thinking and artistic practice. Relations between cinema and theatre
title_sort links between philosophical thinking and artistic practice. relations between cinema and theatre
description This works considers the relationship between art and philosophy, and within it, the link between cinema and theatre, especially from the point of view of the actor and of the topics related to the body. Following Deleuze, we can say that the body is no longer a problem “that separates thinking from itself”, but has become “that aspect into which thinking sinks or has to sink so as to reach the unthinkable, that is to say, life”.It seems that contemporary art and its different manifestations move around similar conceptual grounds, and therefore also deal with similar procedural ideas. The procedures not considered as the mis-en-scene of concepts, for the work, but as the always provisory pragmatics, of viewpoints that establish complex networks that intertwingle, untangle and cris-cross again. The affectations to be considered are those related to philosophy and to the different artistic expressions among themselves; especially the dialogue that theatre and cinema can establish with thought itself
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2013
url https://revistas.unc.edu.ar/index.php/toma1/article/view/9325
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first_indexed 2022-08-20T01:14:41Z
last_indexed 2022-08-20T01:14:41Z
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