Film is dead. Long live to film! The INCAA promotion plan faced with the develpment of HD technology

In the context of cultural industries, film industry deserves special treatment. Its high production cost and difficulty of recovery (even for commercial cinema) required an active attitude of States to preserve their own narratives from the subjugation to Hollywood´s films.In Argentina, since the c...

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Autores principales: Cáceres, Carlos Esteban, Cáceres, María Alicia
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012
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Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/8579
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spelling I10-R10-article-85792020-11-01T03:56:58Z Film is dead. Long live to film! The INCAA promotion plan faced with the develpment of HD technology El cine ha muerto. ¡Larga vida al cine! El Plan de Fomento del INCAA ante el desarrollo de la tecnología HD Cáceres, Carlos Esteban Cáceres, María Alicia Cultural Industries Public policy Film promotion INCAA Industrias culturales Políticas públicas Fomento del cine INCAA In the context of cultural industries, film industry deserves special treatment. Its high production cost and difficulty of recovery (even for commercial cinema) required an active attitude of States to preserve their own narratives from the subjugation to Hollywood´s films.In Argentina, since the creation of the National Film Institute, now renamed as INCAA (with double-A referring to Audiovisual Arts) to the present, the State of Argentina has involved itself in the field of film production.How did Argentina moved from producing 11 films a year in 1991 to almost 150 in 2011? What were the policies that encouraged this growth? What role did independent producers' associations played? What tensions were incorporated by the introduction of digital technology? This article traces some of the milestones in this process of change in conditions (and logic) of the national film industry. En el contexto de las industrias culturales, el cine merece un tratamiento especial. Su elevado costo de producción y su dificultad de recupero (aún para el cine comercial) requirieron de una actitud activa de los estados para conservar narrativas propias ante el avasallamiento del cine Hollywoodense.En nuestro país, desde la creación del Instituto Nacional de Cinematografía, hoy actualizado en  INCAA (con doble A de Artes Audiovisuales), hasta la actualidad el Estado Argentino ha intervenido en el campo de la producción cinematográfica.¿Cómo pasó la Argentina de producir 11 películas en 1991 a casi 150 en 2011? ¿Cuáles fueron las políticas públicas que alentaron ese crecimiento? ¿Qué rol cumplieron las asociaciones de productores independientes? ¿Qué tensiones incorporó el advenimiento de la tecnología digital? El presente artículo recupera algunos hitos en este proceso de cambio de las condiciones (y la lógica) de la producción cinematográfica nacional. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012-09-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/8579 Toma Uno; No. 1 (2012): La representación de la realidad; 177-190 TOMA UNO; Núm. 1 (2012): La representación de la realidad; 177-190 2250-4524 2313-9692 10.55442/tomauno.n1.2012 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/8579/9444
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cultural Industries
Public policy
Film promotion
INCAA
Industrias culturales
Políticas públicas
Fomento del cine
INCAA
spellingShingle Cultural Industries
Public policy
Film promotion
INCAA
Industrias culturales
Políticas públicas
Fomento del cine
INCAA
Cáceres, Carlos Esteban
Cáceres, María Alicia
Film is dead. Long live to film! The INCAA promotion plan faced with the develpment of HD technology
topic_facet Cultural Industries
Public policy
Film promotion
INCAA
Industrias culturales
Políticas públicas
Fomento del cine
INCAA
author Cáceres, Carlos Esteban
Cáceres, María Alicia
author_facet Cáceres, Carlos Esteban
Cáceres, María Alicia
author_sort Cáceres, Carlos Esteban
title Film is dead. Long live to film! The INCAA promotion plan faced with the develpment of HD technology
title_short Film is dead. Long live to film! The INCAA promotion plan faced with the develpment of HD technology
title_full Film is dead. Long live to film! The INCAA promotion plan faced with the develpment of HD technology
title_fullStr Film is dead. Long live to film! The INCAA promotion plan faced with the develpment of HD technology
title_full_unstemmed Film is dead. Long live to film! The INCAA promotion plan faced with the develpment of HD technology
title_sort film is dead. long live to film! the incaa promotion plan faced with the develpment of hd technology
description In the context of cultural industries, film industry deserves special treatment. Its high production cost and difficulty of recovery (even for commercial cinema) required an active attitude of States to preserve their own narratives from the subjugation to Hollywood´s films.In Argentina, since the creation of the National Film Institute, now renamed as INCAA (with double-A referring to Audiovisual Arts) to the present, the State of Argentina has involved itself in the field of film production.How did Argentina moved from producing 11 films a year in 1991 to almost 150 in 2011? What were the policies that encouraged this growth? What role did independent producers' associations played? What tensions were incorporated by the introduction of digital technology? This article traces some of the milestones in this process of change in conditions (and logic) of the national film industry.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2012
url https://revistas.unc.edu.ar/index.php/toma1/article/view/8579
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AT cacerescarlosesteban elcinehamuertolargavidaalcineelplandefomentodelincaaanteeldesarrollodelatecnologiahd
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first_indexed 2022-08-20T01:14:31Z
last_indexed 2022-08-20T01:14:31Z
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