Alfred Hitchcoclk´s shadow in Life documentary series

Throughout its history, documentaries have not been exempt from the use of expressive resources and narrative mechanisms common to fiction films. Reality has been shown from different perspectives that have even altered the very notion of it, giving rise to several discussions between veracity and v...

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Autor principal: Sanjuan Minguez, Ramón Sanjuan
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012
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Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/8570
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spelling I10-R10-article-85702020-11-01T03:56:58Z Alfred Hitchcoclk´s shadow in Life documentary series La sombra de Alfred Hitchcock en la serie documental Life Sanjuan Minguez, Ramón Sanjuan Psychological realism Verosimilitude in film Documentaries and music Alfred Hitchcock Bill Nichols Realismo psicológico Verosimilitud en cine Música y documental Alfred Hitchcock Bill Nichols Throughout its history, documentaries have not been exempt from the use of expressive resources and narrative mechanisms common to fiction films. Reality has been shown from different perspectives that have even altered the very notion of it, giving rise to several discussions between veracity and verisimilitude.In this sense, some authors have defended a creative treatment of reality (Grierson), have included an aesthetic component in reality (Krakauer), or have highlighted the importance of our perceptual experience (Bazin). Other authors such as Bill Nichols, have defended the existence of different categories of realism, based on mimetic reproduction. For Nichols realism may be empirical, psychological or historical.The purpose of our work is to demonstrate the great importance that sound resources have in the psychological treatment of nature scenes, presented in the documentary series Life (BBC). To this purpose we have established two lines of research: first, the expressive comparison between hunting scenes of the series and the dramatic psychological treatment of some Hitchcockian murders and, on the other hand, a detailed musical analysis of these scenes.  El cine documental no ha sido ajeno, a lo largo de su historia, a la utilización de recursos expresivos y mecanismos narrativos provenientes del cine de ficción. La realidad se ha mostrado desde diferentes perspectivas que han llegado incluso a alterar su propia esencia, motivando diversas controversias en torno a la interacción entre veracidad y verosimilitud.En este sentido, algunos autores han defendido un tratamiento creativo de la realidad (Grierson), han incluido un componente estético en la misma (Krakauer), o han destacado la importancia de nuestra experiencia perceptiva (Bazin). Otros autores, como Bill Nichols, han defendido la existencia de diferentes categorías de realismo, en función de su verosimilitud mimética. Para Nichols el realismo puede ser empírico, psicológico o histórico.El propósito de nuestro trabajo consiste en demostrar la gran importancia que tienen los recursos sonoros en el tratamiento psicológico de las escenas sobre naturaleza, presentadas en la serie documental Life (BBC). Para ello hemos establecido dos líneas de investigación: en primer lugar, la comparación expresiva entre las escenas de caza de la serie y el tratamiento dramático psicológico de algunos asesinatos hitchcockianos y, por otra parte, la realización de un minucioso análisis musical de estas escenas. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012-09-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/8570 Toma Uno; No. 1 (2012): La representación de la realidad; 67-82 TOMA UNO; Núm. 1 (2012): La representación de la realidad; 67-82 2250-4524 2313-9692 10.55442/tomauno.n1.2012 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/8570/9435
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Psychological realism
Verosimilitude in film
Documentaries and music
Alfred Hitchcock
Bill Nichols
Realismo psicológico
Verosimilitud en cine
Música y documental
Alfred Hitchcock
Bill Nichols
spellingShingle Psychological realism
Verosimilitude in film
Documentaries and music
Alfred Hitchcock
Bill Nichols
Realismo psicológico
Verosimilitud en cine
Música y documental
Alfred Hitchcock
Bill Nichols
Sanjuan Minguez, Ramón Sanjuan
Alfred Hitchcoclk´s shadow in Life documentary series
topic_facet Psychological realism
Verosimilitude in film
Documentaries and music
Alfred Hitchcock
Bill Nichols
Realismo psicológico
Verosimilitud en cine
Música y documental
Alfred Hitchcock
Bill Nichols
author Sanjuan Minguez, Ramón Sanjuan
author_facet Sanjuan Minguez, Ramón Sanjuan
author_sort Sanjuan Minguez, Ramón Sanjuan
title Alfred Hitchcoclk´s shadow in Life documentary series
title_short Alfred Hitchcoclk´s shadow in Life documentary series
title_full Alfred Hitchcoclk´s shadow in Life documentary series
title_fullStr Alfred Hitchcoclk´s shadow in Life documentary series
title_full_unstemmed Alfred Hitchcoclk´s shadow in Life documentary series
title_sort alfred hitchcoclk´s shadow in life documentary series
description Throughout its history, documentaries have not been exempt from the use of expressive resources and narrative mechanisms common to fiction films. Reality has been shown from different perspectives that have even altered the very notion of it, giving rise to several discussions between veracity and verisimilitude.In this sense, some authors have defended a creative treatment of reality (Grierson), have included an aesthetic component in reality (Krakauer), or have highlighted the importance of our perceptual experience (Bazin). Other authors such as Bill Nichols, have defended the existence of different categories of realism, based on mimetic reproduction. For Nichols realism may be empirical, psychological or historical.The purpose of our work is to demonstrate the great importance that sound resources have in the psychological treatment of nature scenes, presented in the documentary series Life (BBC). To this purpose we have established two lines of research: first, the expressive comparison between hunting scenes of the series and the dramatic psychological treatment of some Hitchcockian murders and, on the other hand, a detailed musical analysis of these scenes. 
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2012
url https://revistas.unc.edu.ar/index.php/toma1/article/view/8570
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