DOSSIER: Intellectuals and editors

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The intellectual opens ideas, the publisher closes them. The writer produces texts, the publisher produces printed texts. The intellectual writes but it is the publisher who publishes. Not for nothing, say some psychologists, the thought culminates with its publication. Between the writer and the pu...

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Autor principal: Sorá, Gustavo
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2008
Materias:
dossier
intelectuales
editores
intellectuals
editors
Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/5397
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
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spelling I10-R10-article-53972021-06-18T17:47:26Z DOSSIER: Intellectuals and editors DOSSIER: Intelectuales y Editores Sorá, Gustavo dossier intelectuales editores dossier intellectuals editors The intellectual opens ideas, the publisher closes them. The writer produces texts, the publisher produces printed texts. The intellectual writes but it is the publisher who publishes. Not for nothing, say some psychologists, the thought culminates with its publication. Between the writer and the publisher a symbolic and social energy is mobilized, sublimated under the printed lines that reach the reader. That between-place of production of senses, of cosmologies, of society that marked the formation of great part of the cultures since the appearance of the graphical expression of the ideas, remains like an elusive problem for the investigation, at least for the anthropology practiced in these latitudes. It seems a question blocked by the dominant accumulation of stories of ideas, of literature, of thought that reactualize the opposition between spirit and matter, aesthetics and society, text and context. Evidence of this is the closure suffered by the sociology of literature, a sub-discipline so uncomfortable for the guardians of the aura of the national literary genius.This dossier seeks to illuminate that relationship with the certainty that it models one of the most fertile terrains to rethink the legacy of the history of culture in the West and to generate a vast program of research problems scarcely explored by the social and human sciences in Latin America, and applicable to the study of any culture, with or without writing. El intelectual abre ideas, el editor las cierra. El escritor produce textos, el editor impresos. El intelectual escribe pero es el editor quien publica. No por nada, afirman algunos psicólogos, el pensamiento culmina con su publicación. Entre el escritor y el editor se moviliza una energía simbólica y social sublimada bajo las líneas impresas que llegan al lector. Ese entre-lugar de producción de sentidos, de cosmologías, de sociedad que marcó la formación de gran parte de las culturas desde la aparición de la expresión gráfica de las ideas, permanece como un problema esquivo para la investigación, al menos para la antropología practicada en estas latitudes. Parece una cuestión obturada por el dominante acúmulo de historias de las ideas, de la literatura, del pensamiento que reactualizan la oposición entre espíritu y materia, estética y sociedad, texto y contexto. Evidencia de ello es la clausura sufrida por la sociología de la literatura, una sub-disciplina tan incómoda para los guardianes del aura del genio literario nacional.Este dossier busca iluminar esa relación con la certeza de que modela uno de los terrenos más fértiles para repensar el legado de la historia de la cultura en occidente y para generar un basto programa de problemas de investigación escasamente explorados por las ciencias sociales y humanas en América Latina, y aplicables al estudio de toda cultura, con o sin escritura. Facultad de Filosofía y Humanidades. Museo de Antropología 2008-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/5397 Revista del Museo de Antropología; Vol 1 (2008) NÚMERO 1; 71-72 Revista del Museo de Antropología; Vol 1 (2008) NÚMERO 1; 71-72 Revista del Museo de Antropología; Vol 1 (2008) NÚMERO 1; 71-72 1852-4826 1852-060X 10.31048/1852.4826.v1.n0 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/5397/5841 Derechos de autor 1969 Gustavo Sorá
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic dossier
intelectuales
editores
dossier
intellectuals
editors
spellingShingle dossier
intelectuales
editores
dossier
intellectuals
editors
Sorá, Gustavo
DOSSIER: Intellectuals and editors
topic_facet dossier
intelectuales
editores
dossier
intellectuals
editors
author Sorá, Gustavo
author_facet Sorá, Gustavo
author_sort Sorá, Gustavo
title DOSSIER: Intellectuals and editors
title_short DOSSIER: Intellectuals and editors
title_full DOSSIER: Intellectuals and editors
title_fullStr DOSSIER: Intellectuals and editors
title_full_unstemmed DOSSIER: Intellectuals and editors
title_sort dossier: intellectuals and editors
description The intellectual opens ideas, the publisher closes them. The writer produces texts, the publisher produces printed texts. The intellectual writes but it is the publisher who publishes. Not for nothing, say some psychologists, the thought culminates with its publication. Between the writer and the publisher a symbolic and social energy is mobilized, sublimated under the printed lines that reach the reader. That between-place of production of senses, of cosmologies, of society that marked the formation of great part of the cultures since the appearance of the graphical expression of the ideas, remains like an elusive problem for the investigation, at least for the anthropology practiced in these latitudes. It seems a question blocked by the dominant accumulation of stories of ideas, of literature, of thought that reactualize the opposition between spirit and matter, aesthetics and society, text and context. Evidence of this is the closure suffered by the sociology of literature, a sub-discipline so uncomfortable for the guardians of the aura of the national literary genius.This dossier seeks to illuminate that relationship with the certainty that it models one of the most fertile terrains to rethink the legacy of the history of culture in the West and to generate a vast program of research problems scarcely explored by the social and human sciences in Latin America, and applicable to the study of any culture, with or without writing.
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2008
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/5397
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first_indexed 2022-08-20T01:10:53Z
last_indexed 2022-08-20T01:10:53Z
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