Boots, braids and glitter: Strategies to make dissidence visible in Argentine folklore
Within the framework of Argentine folklore, understood as a field of symbolic production, an affective culture and a set of social repertoires have been built that can only be understood under a heteronormative matrix. However, in recent years, mounted gauchos with harnesses and stiletto heels, tran...
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2022
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I10-R10-article-378482022-07-07T00:51:03Z Boots, braids and glitter: Strategies to make dissidence visible in Argentine folklore Botas, trenzas y glitter: Estrategias para visibilizar las disidencias en el Folklore Argentino Díaz, Natalia Elisa folklore dissidence national being heteronormative matrix folklore disidencias ser nacional matriz heteronormativa Within the framework of Argentine folklore, understood as a field of symbolic production, an affective culture and a set of social repertoires have been built that can only be understood under a heteronormative matrix. However, in recent years, mounted gauchos with harnesses and stiletto heels, trans copleras who sing to the murders of transvestites or drag queens who dance to the rhythm of huaynos to question the LGTBQI+ construction that reaffirms a white and western femininity have arrived in folklore. Using tools from the sociology of discourse and culture, this paper is built around the following questions: through what strategies do dissidents seek to make themselves visibles in the identity narratives constructed by the field of folklore? How to address the heterogeneity of dissident sexualities? Is it possible to build a queer perspective of the national being? En el marco del folklore argentino, entendido como campo de producción simbólica, se ha construido una cultura afectiva y un conjunto de repertorios sociales que solo pueden ser comprendidos bajo una matriz heteronormativa. Sin embargo, en los últimos años, al folklore han arribado gauchos montados con arneses y tacones de aguja, copleras trans que les cantan a los asesinatos de travestis o transformistas que bailan al ritmo de huaynos para cuestionar la construcción LGTBQI+ que reafirma una femineidad blanca y occidental. Mediante herramientas provenientes de la sociología del discurso y de la cultura, el presente trabajo se construye en torno a los siguientes interrogantes: ¿a través de qué estrategias las disidencias buscan visibilizarse en las narrativas identitarias construidas por el campo del folklore? ¿Cómo abordar la heterogeneidad de las sexualidades disidentes? ¿Es posible construir una perspectiva queer del ser nacional? Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2022-07-06 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/37848 Recial; Vol. 13 Núm. 21 (2022): Dossier: Géneros y sexualidades en las músicas populares 2718-658X 1853-4112 10.53971/2718.658x.v13.n21 spa https://revistas.unc.edu.ar/index.php/recial/article/view/37848/38170 https://revistas.unc.edu.ar/index.php/recial/article/view/37848/38171 https://creativecommons.org/licenses/by-nc-sa/4.0 |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-10 |
container_title_str |
Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
folklore dissidence national being heteronormative matrix folklore disidencias ser nacional matriz heteronormativa |
spellingShingle |
folklore dissidence national being heteronormative matrix folklore disidencias ser nacional matriz heteronormativa Díaz, Natalia Elisa Boots, braids and glitter: Strategies to make dissidence visible in Argentine folklore |
topic_facet |
folklore dissidence national being heteronormative matrix folklore disidencias ser nacional matriz heteronormativa |
author |
Díaz, Natalia Elisa |
author_facet |
Díaz, Natalia Elisa |
author_sort |
Díaz, Natalia Elisa |
title |
Boots, braids and glitter: Strategies to make dissidence visible in Argentine folklore |
title_short |
Boots, braids and glitter: Strategies to make dissidence visible in Argentine folklore |
title_full |
Boots, braids and glitter: Strategies to make dissidence visible in Argentine folklore |
title_fullStr |
Boots, braids and glitter: Strategies to make dissidence visible in Argentine folklore |
title_full_unstemmed |
Boots, braids and glitter: Strategies to make dissidence visible in Argentine folklore |
title_sort |
boots, braids and glitter: strategies to make dissidence visible in argentine folklore |
description |
Within the framework of Argentine folklore, understood as a field of symbolic production, an affective culture and a set of social repertoires have been built that can only be understood under a heteronormative matrix. However, in recent years, mounted gauchos with harnesses and stiletto heels, trans copleras who sing to the murders of transvestites or drag queens who dance to the rhythm of huaynos to question the LGTBQI+ construction that reaffirms a white and western femininity have arrived in folklore.
Using tools from the sociology of discourse and culture, this paper is built around the following questions: through what strategies do dissidents seek to make themselves visibles in the identity narratives constructed by the field of folklore? How to address the heterogeneity of dissident sexualities? Is it possible to build a queer perspective of the national being? |
publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
publishDate |
2022 |
url |
https://revistas.unc.edu.ar/index.php/recial/article/view/37848 |
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AT diaznataliaelisa bootsbraidsandglitterstrategiestomakedissidencevisibleinargentinefolklore AT diaznataliaelisa botastrenzasyglitterestrategiasparavisibilizarlasdisidenciasenelfolkloreargentino |
first_indexed |
2022-08-20T01:13:53Z |
last_indexed |
2022-08-20T01:13:53Z |
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