Lisbeth Salander, a current hysteria
The Millennium literary trilogy on which the Swedish films The Men Who Loved Women, The Girl Who Dreamed of a Match and a Can of Gasoline and The Queen in the Palace of Drafts were based, stars Lisbeth Salander, a character who allows us...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/35926 |
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| Sumario: | The Millennium literary trilogy on which the Swedish films The Men Who Loved Women, The Girl Who Dreamed of a Match and a Can of Gasoline and The Queen in the Palace of Drafts were based, stars Lisbeth Salander, a character who allows us to work on psychoanalytic concepts of hysteria, a clinical structure that not only works as an structure that groups different phenomena in the same logic and allows them to be differentiated from perversions and psychoses, but also refers to the way desire is transmitted. A structure that accompanied the social changes in the history of humanity with the mutation of its symptoms. |
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