Femininity representation in contemporary animation.: A look on Mademoiselle Kiki et les Montparnos and On everyone’s lips.

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The present work inquires into the representations of femininities which can take shape in Animation films. If we understand that every single animated pic is born from an empty space to be materialized, embodied y provided with sense, we would like to stop to analyze the different looks that could...

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Autor principal: Curatitoli, María Constanza
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2020
Materias:
animation
feminine
feminism
representation
animacion
femenino
feminismo
representación
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/30777
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-30777
record_format ojs
spelling I10-R10-article-307772021-12-02T04:17:31Z Femininity representation in contemporary animation.: A look on Mademoiselle Kiki et les Montparnos and On everyone’s lips. Representaciones de feminidades en la animación contemporánea.: Una mirada sobre Mademoiselle Kiki et les Montparnos y En boca de todas. Curatitoli, María Constanza animation feminine feminism representation animacion femenino feminismo representación The present work inquires into the representations of femininities which can take shape in Animation films. If we understand that every single animated pic is born from an empty space to be materialized, embodied y provided with sense, we would like to stop to analyze the different looks that could take place there, and the possible expressive relationships between these materialities , as well as their production conditions and the representations of/from the femininities. For this work we will take as object of study, two short films: On everyone’s lips (Dir: Ana Inés Flores, Milena Lois, Rocío Dalmau, Gabriela Fernández, Daniela Fiore, Irene Blei, Ileana Gómez Gavinoser, Miriana Bazán, Belén Tagliabue, Agostina Ravazzola, Carla Gratti, Paola Bellato, Isabel Estruch, Sofía Ugarte, Laura Norma Martínez, Berenice Gáldiz Carlstein, Isabel Macías, Marina Lizasuain, Ángeles Sena, Gabriela Clar, Raquel de Simone, Ana Martín - Argentina)  and Mademoiselle Kiki et les Montparnos (Dir. Amélie Harrault -  Francia). __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/ngxwb1yo3 El presente trabajo indaga en las representaciones de feminidades que pueden tomar forma dentro del cine de animación. Entendiendo que el cuadro animado parte de un espacio vacío para ser materializado, corporizado y dotado de sentidos, nos interesa detenernos en las posibles miradas que allí pueden tener lugar, y las relaciones expresivas posibles entre las materialidades, las condiciones de producción y las representaciones de/desde las feminidades. Para este trabajo, tomaremos como objeto de estudio los cortometrajes En boca de todas (Dir: Ana Inés Flores, Milena Lois, Rocío Dalmau, Gabriela Fernández, Daniela Fiore, Irene Blei, Ileana Gómez Gavinoser, Miriana Bazán, Belén Tagliabue, Agostina Ravazzola, Carla Gratti, Paola Bellato, Isabel Estruch, Sofía Ugarte, Laura Norma Martínez, Berenice Gáldiz Carlstein, Isabel Macías, Marina Lizasuain, Ángeles Sena, Gabriela Clar, Raquel de Simone, Ana Martín - Argentina)  y Mademoiselle Kiki et les Montparnos (Dir. Amélie Harrault -  Francia).  __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/ngxwb1yo3 Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2020-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/30777 Toma Uno; No. 8 (2020): Gender, Dissent and Diversities in Cinema and Audiovisual Arts TOMA UNO; Núm. 8 (2020): Género, disidencias y diversidades en el Cine y las Artes Audiovisuales 2250-4524 2313-9692 10.55442/tomauno.n8.2020 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/30777/31463 https://revistas.unc.edu.ar/index.php/toma1/article/view/30777/31464 https://revistas.unc.edu.ar/index.php/toma1/article/view/30777/31465 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic animation
feminine
feminism
representation
animacion
femenino
feminismo
representación
spellingShingle animation
feminine
feminism
representation
animacion
femenino
feminismo
representación
Curatitoli, María Constanza
Femininity representation in contemporary animation.: A look on Mademoiselle Kiki et les Montparnos and On everyone’s lips.
topic_facet animation
feminine
feminism
representation
animacion
femenino
feminismo
representación
author Curatitoli, María Constanza
author_facet Curatitoli, María Constanza
author_sort Curatitoli, María Constanza
title Femininity representation in contemporary animation.: A look on Mademoiselle Kiki et les Montparnos and On everyone’s lips.
title_short Femininity representation in contemporary animation.: A look on Mademoiselle Kiki et les Montparnos and On everyone’s lips.
title_full Femininity representation in contemporary animation.: A look on Mademoiselle Kiki et les Montparnos and On everyone’s lips.
title_fullStr Femininity representation in contemporary animation.: A look on Mademoiselle Kiki et les Montparnos and On everyone’s lips.
title_full_unstemmed Femininity representation in contemporary animation.: A look on Mademoiselle Kiki et les Montparnos and On everyone’s lips.
title_sort femininity representation in contemporary animation.: a look on mademoiselle kiki et les montparnos and on everyone’s lips.
description The present work inquires into the representations of femininities which can take shape in Animation films. If we understand that every single animated pic is born from an empty space to be materialized, embodied y provided with sense, we would like to stop to analyze the different looks that could take place there, and the possible expressive relationships between these materialities , as well as their production conditions and the representations of/from the femininities. For this work we will take as object of study, two short films: On everyone’s lips (Dir: Ana Inés Flores, Milena Lois, Rocío Dalmau, Gabriela Fernández, Daniela Fiore, Irene Blei, Ileana Gómez Gavinoser, Miriana Bazán, Belén Tagliabue, Agostina Ravazzola, Carla Gratti, Paola Bellato, Isabel Estruch, Sofía Ugarte, Laura Norma Martínez, Berenice Gáldiz Carlstein, Isabel Macías, Marina Lizasuain, Ángeles Sena, Gabriela Clar, Raquel de Simone, Ana Martín - Argentina)  and Mademoiselle Kiki et les Montparnos (Dir. Amélie Harrault -  Francia). __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/ngxwb1yo3
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2020
url https://revistas.unc.edu.ar/index.php/toma1/article/view/30777
work_keys_str_mv AT curatitolimariaconstanza femininityrepresentationincontemporaryanimationalookonmademoisellekikietlesmontparnosandoneveryoneslips
AT curatitolimariaconstanza representacionesdefeminidadesenlaanimacioncontemporaneaunamiradasobremademoisellekikietlesmontparnosyenbocadetodas
first_indexed 2022-08-20T01:15:07Z
last_indexed 2022-08-20T01:15:07Z
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