Systematic incorporation of the image to the daily Argentinian press: the case of Martin Malharro as a police drawer

A reflection on the graphic work of Martin Malharro for the Argentine media is proposed, in order to allow the proximity to this part of his production, and at the same time, to promote other readings about his paintings. We will be focused on the images produced by the artist for La Nación newspape...

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Autores principales: Spinelli, Virginia, Garavaglia, Juana
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Historia 2020
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Acceso en línea:https://revistas.unc.edu.ar/index.php/RIHALC/article/view/28617
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spelling I10-R10-article-286172020-06-01T12:15:53Z Systematic incorporation of the image to the daily Argentinian press: the case of Martin Malharro as a police drawer Incorporación sistemática de la imagen a la prensa diaria argentina: el caso Martín Malharro como dibujante de hechos policiales Spinelli, Virginia Garavaglia, Juana Drawing Graphics Media Daily Argentinean Press Dibujo Medios gráficos Prensa Argentina A reflection on the graphic work of Martin Malharro for the Argentine media is proposed, in order to allow the proximity to this part of his production, and at the same time, to promote other readings about his paintings. We will be focused on the images produced by the artist for La Nación newspaper, during the year 1984.Pieces of Malharro acting as a police events reporter will be exposed. In these pieces, he develops different expressive resources that his painting does not have. On the other hand, it is relevant pointing out that this production was done during the last decades of the 19th century, overlapping with systematic incorporation of the image to the daily Argentinean press, the transformation of those newspapers in big industries and the consolidation of its rules. Se propone una reflexión sobre la obra gráfica de Martín Malharro, desarrollada para los medios argentinos, con el fin de habilitar un acercamiento a esta parte de su producción y al mismo tiempo, propiciar otras lecturas sobre su obra pictórica. Nos enfocaremos en las imágenes producidas por el artista, para el diario La Nación, durante el año 1894. Se expondrán algunas de las piezas en las que Malharro, actuando como dibujante de hechos policiales, desarrolla diversos recursos expresivos de los que no dispone en la pintura. Por otra parte, es relevante señalar que esta producción se da hacia las últimas décadas del siglo XIX, coincidiendo con la incorporación sistemática de la imagen a la prensa diaria argentina, la transformación de estos periódicos en grandes industrias y la consolidación de las reglas de juego propias de las mismas. Facultad de Filosofía y Humanidades. Escuela de Historia 2020-05-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/RIHALC/article/view/28617 Journal Red Intercátedras de Historia de América Latina Contemporánea ; No. 12 (2020): Review of the Red de Intercátedras de Historia de América Latina Contemporánea. June-November 2020. ; 51-78 Revista de la Red Intercátedras de Historia de América Latina Contemporánea; Núm. 12 (2020): Revista de la Red de Intercátedras de Historia de América Latina Contemporánea. Junio-Noviembre 2020. ; 51-78 Revista da Rede Intercátedras de História Contemporânea da América Latina ; n. 12 (2020): Revista da Rede de Intercâmbios de História Contemporânea da América Latina. Junho-Novembro 2020. ; 51-78 2250-7264 spa https://revistas.unc.edu.ar/index.php/RIHALC/article/view/28617/29684
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Drawing
Graphics Media
Daily Argentinean Press
Dibujo
Medios gráficos
Prensa Argentina
spellingShingle Drawing
Graphics Media
Daily Argentinean Press
Dibujo
Medios gráficos
Prensa Argentina
Spinelli, Virginia
Garavaglia, Juana
Systematic incorporation of the image to the daily Argentinian press: the case of Martin Malharro as a police drawer
topic_facet Drawing
Graphics Media
Daily Argentinean Press
Dibujo
Medios gráficos
Prensa Argentina
author Spinelli, Virginia
Garavaglia, Juana
author_facet Spinelli, Virginia
Garavaglia, Juana
author_sort Spinelli, Virginia
title Systematic incorporation of the image to the daily Argentinian press: the case of Martin Malharro as a police drawer
title_short Systematic incorporation of the image to the daily Argentinian press: the case of Martin Malharro as a police drawer
title_full Systematic incorporation of the image to the daily Argentinian press: the case of Martin Malharro as a police drawer
title_fullStr Systematic incorporation of the image to the daily Argentinian press: the case of Martin Malharro as a police drawer
title_full_unstemmed Systematic incorporation of the image to the daily Argentinian press: the case of Martin Malharro as a police drawer
title_sort systematic incorporation of the image to the daily argentinian press: the case of martin malharro as a police drawer
description A reflection on the graphic work of Martin Malharro for the Argentine media is proposed, in order to allow the proximity to this part of his production, and at the same time, to promote other readings about his paintings. We will be focused on the images produced by the artist for La Nación newspaper, during the year 1984.Pieces of Malharro acting as a police events reporter will be exposed. In these pieces, he develops different expressive resources that his painting does not have. On the other hand, it is relevant pointing out that this production was done during the last decades of the 19th century, overlapping with systematic incorporation of the image to the daily Argentinean press, the transformation of those newspapers in big industries and the consolidation of its rules.
publisher Facultad de Filosofía y Humanidades. Escuela de Historia
publishDate 2020
url https://revistas.unc.edu.ar/index.php/RIHALC/article/view/28617
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