When the Marble lives… The Peronist Power in a biographical tour of the sculptures of the Monumento al Descamisado
This article intends to think about the power –past and present– of Peronism as a political-cultural movement, based on an analysis of the sculptures entitled Los derechos del trabajador and La razón de mi vida, originally intended as part of the so-called Monumento al Descamisado, designed by the g...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Historia
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/anuariohistoria/article/view/27472 |
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I10-R10-article-274722021-07-19T15:42:57Z When the Marble lives… The Peronist Power in a biographical tour of the sculptures of the Monumento al Descamisado Cuando el mármol vive… La potencia peronista en un recorrido biográfico de las esculturas del Monumento al Descamisado Reyes Santiago, María Florencia Monumento al Descamisado – Peronismo – Biografía de los objetos – Resignificaciones Monumento al Descamisado peronismo Biography of Objects Resignifications This article intends to think about the power –past and present– of Peronism as a political-cultural movement, based on an analysis of the sculptures entitled Los derechos del trabajador and La razón de mi vida, originally intended as part of the so-called Monumento al Descamisado, designed by the government in 1951, and currently part of the heritage of the Museo Histórico 17 de octubre, located in the town of San Vicente, Province of Buenos Aires. Addressing them from the point of view of the biographical approach of the material culture, a tour of the different moments that the sculptures went through to the place (physical, historical and symbolic) that they occupy today is realized, thus understanding not only that they have managed to transcend enormously to its creators, but have also been resignified and transformed into various instances, as the product of changing social and power relations. Este artículo se propone pensar la potencia –pretérita y actual– del peronismo, como movimiento político-cultural, a partir de un análisis de las esculturas tituladas Los derechos del trabajador y La razón de mi vida, pensadas originalmente como parte del llamado Monumento al Descamisado, diseñado por el gobierno en 1951, y que actualmente forman parte del patrimonio del Museo Histórico 17 de octubre, ubicado en la localidad de San Vicente, provincia de Buenos Aires. Abordándolas desde el punto de vista del enfoque biográfico de la cultura material, se realiza un recorrido de los distintos momentos que atravesaron las esculturas hasta el lugar (físico, histórico y simbólico) que ocupan hoy, entendiendo así que no solo han logrado trascender enormemente a sus creadores, sino que además se han visto resignificadas y transformadas en diversas instancias, producto de cambiantes relaciones sociales y de poder. Facultad de Filosofía y Humanidades. Escuela de Historia 2020-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/anuariohistoria/article/view/27472 Anuario de la Escuela de Historia Virtual; Núm. 18 (2020); 188-207 1853-7049 10.31049/1853.7049.v.n18 spa https://revistas.unc.edu.ar/index.php/anuariohistoria/article/view/27472/32557 https://revistas.unc.edu.ar/index.php/anuariohistoria/article/view/27472/32558 Derechos de autor 2020 María Florencia Reyes Santiago http://creativecommons.org/licenses/by-nc-nd/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Monumento al Descamisado – Peronismo – Biografía de los objetos – Resignificaciones Monumento al Descamisado peronismo Biography of Objects Resignifications |
| spellingShingle |
Monumento al Descamisado – Peronismo – Biografía de los objetos – Resignificaciones Monumento al Descamisado peronismo Biography of Objects Resignifications Reyes Santiago, María Florencia When the Marble lives… The Peronist Power in a biographical tour of the sculptures of the Monumento al Descamisado |
| topic_facet |
Monumento al Descamisado – Peronismo – Biografía de los objetos – Resignificaciones Monumento al Descamisado peronismo Biography of Objects Resignifications |
| author |
Reyes Santiago, María Florencia |
| author_facet |
Reyes Santiago, María Florencia |
| author_sort |
Reyes Santiago, María Florencia |
| title |
When the Marble lives… The Peronist Power in a biographical tour of the sculptures of the Monumento al Descamisado |
| title_short |
When the Marble lives… The Peronist Power in a biographical tour of the sculptures of the Monumento al Descamisado |
| title_full |
When the Marble lives… The Peronist Power in a biographical tour of the sculptures of the Monumento al Descamisado |
| title_fullStr |
When the Marble lives… The Peronist Power in a biographical tour of the sculptures of the Monumento al Descamisado |
| title_full_unstemmed |
When the Marble lives… The Peronist Power in a biographical tour of the sculptures of the Monumento al Descamisado |
| title_sort |
when the marble lives… the peronist power in a biographical tour of the sculptures of the monumento al descamisado |
| description |
This article intends to think about the power –past and present– of Peronism as a political-cultural movement, based on an analysis of the sculptures entitled Los derechos del trabajador and La razón de mi vida, originally intended as part of the so-called Monumento al Descamisado, designed by the government in 1951, and currently part of the heritage of the Museo Histórico 17 de octubre, located in the town of San Vicente, Province of Buenos Aires. Addressing them from the point of view of the biographical approach of the material culture, a tour of the different moments that the sculptures went through to the place (physical, historical and symbolic) that they occupy today is realized, thus understanding not only that they have managed to transcend enormously to its creators, but have also been resignified and transformed into various instances, as the product of changing social and power relations. |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Historia |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/anuariohistoria/article/view/27472 |
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