Garbo laughs!

Mostrar todas las versiones(2)

This article works from the movie Ninotchka (1939), by the duo Lubitsch-Wilder, starring Greta Garbo. The purpose of this article is to elaborate the articulation between love for the father and the Lacanian logical category of not-all based on the aforementioned film. Ninotchka´s lesson is that the...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Fernández, Daniela
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2019
Materias:
Female jouissance
Father
Communism
Capitalsm
Not-all Lacanian
Goce femenino
Padre
Comunismo
Capitalismo
No-todo lacaniano
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26799
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-26799
record_format ojs
spelling I10-R10-article-267992020-02-05T18:05:12Z Garbo laughs! Garbo laughs! Fernández, Daniela Female jouissance Father Communism Capitalsm Not-all Lacanian Goce femenino Padre Comunismo Capitalismo No-todo lacaniano This article works from the movie Ninotchka (1939), by the duo Lubitsch-Wilder, starring Greta Garbo. The purpose of this article is to elaborate the articulation between love for the father and the Lacanian logical category of not-all based on the aforementioned film. Ninotchka´s lesson is that the failure in the paternal regime is not introduced by capitalist temptations, but rather by the Lacanian feminine. In addition, it distinguishes between the liberation of women and their “liberalization”. The great finding of the film lies in the invention of a way of expressing the feminine jouissance impossible to say, through Garbo´s unbridled laughter that produced one of the mythical scenes of Hollywood cinema. En el presente artículo se trabaja a partir de la película Ninotchka (1939), de la dupla Lubitsch-Wilder, protagonizada por Greta Garbo. El propósito de este artículo es elaborar la articulación entre amor del padre y categoría lógica lacaniana del no-todo, a partir de la mencionada película. La lección de Ninotchka es que la falla en el régimen paterno no es introducida por las tentaciones capitalistas, sino más bien por lo femenino lacaniano. Además, distingue entre la liberación de la mujer y su “liberalización”. El gran hallazgo de la película reside en la invención de un modo de expresar el goce femenino imposible de decir, por medio de la risa desenfrenada de Garbo que produjo una de las escenas míticas del cine de Hollywood. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2019-12-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26799 Ética y Cine Journal; Vol. 9 Núm. 3 (2019): Pibas. Movimientos, identidades, posiciones; 13-16 2250-5415 2250-5660 10.31056/2250.5415.v9.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26799/28451
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Female jouissance
Father
Communism
Capitalsm
Not-all Lacanian
Goce femenino
Padre
Comunismo
Capitalismo
No-todo lacaniano
spellingShingle Female jouissance
Father
Communism
Capitalsm
Not-all Lacanian
Goce femenino
Padre
Comunismo
Capitalismo
No-todo lacaniano
Fernández, Daniela
Garbo laughs!
topic_facet Female jouissance
Father
Communism
Capitalsm
Not-all Lacanian
Goce femenino
Padre
Comunismo
Capitalismo
No-todo lacaniano
author Fernández, Daniela
author_facet Fernández, Daniela
author_sort Fernández, Daniela
title Garbo laughs!
title_short Garbo laughs!
title_full Garbo laughs!
title_fullStr Garbo laughs!
title_full_unstemmed Garbo laughs!
title_sort garbo laughs!
description This article works from the movie Ninotchka (1939), by the duo Lubitsch-Wilder, starring Greta Garbo. The purpose of this article is to elaborate the articulation between love for the father and the Lacanian logical category of not-all based on the aforementioned film. Ninotchka´s lesson is that the failure in the paternal regime is not introduced by capitalist temptations, but rather by the Lacanian feminine. In addition, it distinguishes between the liberation of women and their “liberalization”. The great finding of the film lies in the invention of a way of expressing the feminine jouissance impossible to say, through Garbo´s unbridled laughter that produced one of the mythical scenes of Hollywood cinema.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2019
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26799
work_keys_str_mv AT fernandezdaniela garbolaughs
first_indexed 2022-08-20T01:04:47Z
last_indexed 2022-08-20T01:04:47Z
_version_ 1770717293592969216

Ejemplares similares