The Passional Appeal in the Poetry of Manuel J. Castilla: "Los coyuyos"
The topic where the following work is framed wonders about the aesthetic transformations that can be visualized in Tierra de Uno by Manuel J. Castilla, fifth book of poems written between 1947 and 1949 by the Santa poet, to be able to postulate a change in the options that the social agent performs...
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/24844 |
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I10-R10-article-248442019-07-04T11:47:17Z The Passional Appeal in the Poetry of Manuel J. Castilla: "Los coyuyos" La apelación pasional en la poesía de Manuel J. Castilla: «Los coyuyos» Santiago, Carina Belén Manuel J. Castilla pasiones sociosemiótica poesía Norte Argentino Manuel J. Castilla passions sociosemiotics poetry North of Argentina The topic where the following work is framed wonders about the aesthetic transformations that can be visualized in Tierra de Uno by Manuel J. Castilla, fifth book of poems written between 1947 and 1949 by the Santa poet, to be able to postulate a change in the options that the social agent performs in the field of possibilities, from the socio-semiotic analysis paying fundamental attention to the passional analysis. From the same title of the book we can already find a particular relationship between the poetic self and its scope / landscape that is recognized in the sense of belonging to the self with nature and, therefore, each poem would seem to conjure an element of this land. The poems of Tierra de Uno imply assuming to be part of a culture framed in the circumstances. It is not by being that conditions the world where you can enter into dialogue, but by leaving yourself to know the other. This is how Castilla understood the need to show that culture, from the culture itself. The passions are also social representations that depend on knowledge of beliefs (Charaudeau, 2011), so it is necessary to discuss how Manuel J. Castilla proposes from his poetry the entrance to his knowledge of regional beliefs as a strategy of influence over the enunciatee, causing the want know from the dosage of this new knowledge. The poem “Los coyuyos” will be taken as an example in this case. La cuestión donde se enmarca el siguiente trabajo se pregunta por las transformaciones estéticas que puedan visualizarse en La tierra de uno de Manuel J. Castilla, quinto libro de poesías escritas entre 1947 y 1949 por el poeta salteño, para poder postular un cambio en las opciones que realiza el agente social en el campo de posibilidades, a partir del análisis socio semiótico, prestando fundamental atención al análisis pasional. Desde el mismo título del libro ya podemos encontrar una relación particular entre el yo poético y su ámbito/paisaje que se reconoce en sentido de pertenencia del yo con la naturaleza y, por lo tanto, cada poema parecería venir a conjurar un elemento propio de esta tierra. Los poemas de La tierra de uno implican el asumir ser parte de una cultura entramada en las circunstancias. No es mediante el ser que condiciona al mundo donde se podrá entrar en diálogo, sino mediante salirse de uno mismo para re-conocerse en ese paisaje. Así es como Castilla entendió la necesidad de mostrar esa cultura, desde la cultura misma. Las pasiones son también representaciones sociales que dependen de saberes de creencias (Charaudeau, 2011), por ello es preciso poner en discusión como Manuel J. Castilla propone desde su poesía el ingreso a sus saberes de creencias regionales: como estrategia de influencia sobre el enunciatario, provocando el querer saber a partir de la dosificación de ese saber novedoso. Se tomará como ejemplo en este caso el poema “Los coyuyos”. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019-07-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/24844 Recial; Vol. 10 Núm. 15 (2019): Dossier: Paisajes: naturaleza y cultura en la literatura latinoamericana (siglos XIX y XX) 2718-658X 1853-4112 10.53971/2718.658x.v10.n15 spa https://revistas.unc.edu.ar/index.php/recial/article/view/24844/24092 https://revistas.unc.edu.ar/index.php/recial/article/view/24844/html Derechos de autor 2019 Recial |
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Universidad Nacional de Córdoba |
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R-10 |
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Revistas de la UNC |
| language |
Español |
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Artículo revista |
| topic |
Manuel J. Castilla pasiones sociosemiótica poesía Norte Argentino Manuel J. Castilla passions sociosemiotics poetry North of Argentina |
| spellingShingle |
Manuel J. Castilla pasiones sociosemiótica poesía Norte Argentino Manuel J. Castilla passions sociosemiotics poetry North of Argentina Santiago, Carina Belén The Passional Appeal in the Poetry of Manuel J. Castilla: "Los coyuyos" |
| topic_facet |
Manuel J. Castilla pasiones sociosemiótica poesía Norte Argentino Manuel J. Castilla passions sociosemiotics poetry North of Argentina |
| author |
Santiago, Carina Belén |
| author_facet |
Santiago, Carina Belén |
| author_sort |
Santiago, Carina Belén |
| title |
The Passional Appeal in the Poetry of Manuel J. Castilla: "Los coyuyos" |
| title_short |
The Passional Appeal in the Poetry of Manuel J. Castilla: "Los coyuyos" |
| title_full |
The Passional Appeal in the Poetry of Manuel J. Castilla: "Los coyuyos" |
| title_fullStr |
The Passional Appeal in the Poetry of Manuel J. Castilla: "Los coyuyos" |
| title_full_unstemmed |
The Passional Appeal in the Poetry of Manuel J. Castilla: "Los coyuyos" |
| title_sort |
passional appeal in the poetry of manuel j. castilla: "los coyuyos" |
| description |
The topic where the following work is framed wonders about the aesthetic transformations that can be visualized in Tierra de Uno by Manuel J. Castilla, fifth book of poems written between 1947 and 1949 by the Santa poet, to be able to postulate a change in the options that the social agent performs in the field of possibilities, from the socio-semiotic analysis paying fundamental attention to the passional analysis. From the same title of the book we can already find a particular relationship between the poetic self and its scope / landscape that is recognized in the sense of belonging to the self with nature and, therefore, each poem would seem to conjure an element of this land. The poems of Tierra de Uno imply assuming to be part of a culture framed in the circumstances. It is not by being that conditions the world where you can enter into dialogue, but by leaving yourself to know the other. This is how Castilla understood the need to show that culture, from the culture itself. The passions are also social representations that depend on knowledge of beliefs (Charaudeau, 2011), so it is necessary to discuss how Manuel J. Castilla proposes from his poetry the entrance to his knowledge of regional beliefs as a strategy of influence over the enunciatee, causing the want know from the dosage of this new knowledge. The poem “Los coyuyos” will be taken as an example in this case. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/24844 |
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