Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?

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According to José Bianco, a writer linked to the Sur group, the literature of Piñera, author of Cuentos Fríos, is related to the Cuban baroque of Lezama Lima or Carpentier. Interestingly,Trans-Atlantic Gombrowicz (1953) is formulated from the baroque aesthetic and this affiliation is a way to render...

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Autor principal: Cardozo, Cristian
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018
Materias:
Baroque
Experimentalism
Gombrowicz
Piñera
Vanguard
Barroco
Experimentalismo
Vanguardia
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/22857
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-22857
record_format ojs
spelling I10-R10-article-228572018-12-20T12:58:28Z Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism? Gombrowicz-Piñera: ¿diálogo desde el Barroco, Vanguardia y Experimentalismo? Cardozo, Cristian Baroque Experimentalism Gombrowicz Piñera Vanguard Barroco Experimentalismo Gombrowicz Piñera Vanguardia According to José Bianco, a writer linked to the Sur group, the literature of Piñera, author of Cuentos Fríos, is related to the Cuban baroque of Lezama Lima or Carpentier. Interestingly,Trans-Atlantic Gombrowicz (1953) is formulated from the baroque aesthetic and this affiliation is a way to render readable a heterodox writing as the gombrowicziana since it is a universal feature that is important in those decades at continental level. In this sense, we think that the irregular participation of Piñera in the Orígenes magazine is the access road that, already in Buenos Aires, places Gombrowicz in tune with the relevance of the Baroque during this period. Remember that Piñera presides over the group that carries out the Ferdydurke collective translation company, published in Argentina in 1947. Thus, in the work we propose to address that point of “meeting” or “dialogue” between Piñera and Gombrowicz from examining, in both authors, mutual loans and appropriations, the presence of baroque, avant-garde gestures and eccentricity, absurdity and humor. De acuerdo con José Bianco ?escritor ligado al grupo Sur? la literatura de Piñera, autor de Cuentos Fríos, guarda relación con el barroquismo cubano de Lezama Lima o de Carpentier. Curiosamente, Trans-Atlántico de Gombrowicz (1953) está formulada a partir de la estética barroca y esta filiación constituye una manera de volver legible una escritura heterodoxa como la gombrowicziana dado que se trata de un rasgo universal que resulta importante en esas décadas a nivel continental. En tal sentido, pensamos que las participaciones irregulares de Piñera en la revista Orígenes es la vía de acceso que, ya en Buenos Aires coloca a Gombrowicz en sintonía con la relevancia del barroco durante este período. Recordemos que Piñera preside el grupo que lleva adelante la empresa colectiva de traducción de Ferdydurke, publicado en Argentina en 1947. Así, en el trabajo proponemos abordar ese punto de “encuentro” o de “diálogo” entre Piñera y Gombrowicz a partir de examinar, en ambos autores, los préstamos y apropiaciones mutuas, la presencia del barroco, los gestos vanguardistas y la excentricidad, el absurdo y el humor. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/22857 Recial; Vol. 9 Núm. 14 (2018): Dossier: Del Barroco y el Neobarroco 2718-658X 1853-4112 10.53971/2718.658x.v9.n14 spa https://revistas.unc.edu.ar/index.php/recial/article/view/22857/22457 https://revistas.unc.edu.ar/index.php/recial/article/view/22857/html Derechos de autor 2018 Recial
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Baroque
Experimentalism
Gombrowicz
Piñera
Vanguard
Barroco
Experimentalismo
Gombrowicz
Piñera
Vanguardia
spellingShingle Baroque
Experimentalism
Gombrowicz
Piñera
Vanguard
Barroco
Experimentalismo
Gombrowicz
Piñera
Vanguardia
Cardozo, Cristian
Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
topic_facet Baroque
Experimentalism
Gombrowicz
Piñera
Vanguard
Barroco
Experimentalismo
Gombrowicz
Piñera
Vanguardia
author Cardozo, Cristian
author_facet Cardozo, Cristian
author_sort Cardozo, Cristian
title Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
title_short Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
title_full Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
title_fullStr Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
title_full_unstemmed Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
title_sort gombrowicz-piñera: dialogue from baroque, avant-garde and experimentalism?
description According to José Bianco, a writer linked to the Sur group, the literature of Piñera, author of Cuentos Fríos, is related to the Cuban baroque of Lezama Lima or Carpentier. Interestingly,Trans-Atlantic Gombrowicz (1953) is formulated from the baroque aesthetic and this affiliation is a way to render readable a heterodox writing as the gombrowicziana since it is a universal feature that is important in those decades at continental level. In this sense, we think that the irregular participation of Piñera in the Orígenes magazine is the access road that, already in Buenos Aires, places Gombrowicz in tune with the relevance of the Baroque during this period. Remember that Piñera presides over the group that carries out the Ferdydurke collective translation company, published in Argentina in 1947. Thus, in the work we propose to address that point of “meeting” or “dialogue” between Piñera and Gombrowicz from examining, in both authors, mutual loans and appropriations, the presence of baroque, avant-garde gestures and eccentricity, absurdity and humor.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2018
url https://revistas.unc.edu.ar/index.php/recial/article/view/22857
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first_indexed 2022-08-20T01:13:20Z
last_indexed 2022-08-20T01:13:20Z
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