Mexican Cinema in the decade of the seventies: a mirage
This article is a fragment of a larger research about Mexican cinema and literature, in progress since the year 2006. In it, we reflect on the chapter "Criticism of the pyramid" included in the book Postata by Octavio Paz and we expose a dialogical play between the discourse of cinema and...
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| Formato: | Artículo revista |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/20867 |
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I10-R10-article-208672020-11-01T03:56:09Z Mexican Cinema in the decade of the seventies: a mirage Cine Mexicano en la década de los setenta: un espejismo González Moreno, Obed Cine mexicano Literatura mexicana Octavio Paz Mexican cinema Mexican literature Octavio Paz This article is a fragment of a larger research about Mexican cinema and literature, in progress since the year 2006. In it, we reflect on the chapter "Criticism of the pyramid" included in the book Postata by Octavio Paz and we expose a dialogical play between the discourse of cinema and that of literature, by looking at the films Mecánica nacional by Luis Alcoriza (1971), Los albañiles by Jorge Fons (1976) and Renuncia por motivos de salud by Rafael Baledón (1976). These films give an account of the cinema that, with support from the federal government, was starting to be developed in the sixties, and that was only the beginning of a long absence of quality cinematographic productions and of the collapse of what appeared to be the resurgence of a new Mexican cinema. El presente artíulo es un fragmento de una investigación mayor sobre cine y literatura en México realizada desde el año 2006. En él se reflexiona sobre el capítulo "Crítica de la pirámide" incluido en el libro Posdata de Octavio Paz y se realiza un juego dialógico entre el discurso del cine y el de la literatura a partir de los films Mecánica nacional de Luis Alcoriza, Los albañiles de Jorge Fons y Renuncia por motivos de salud de Rafael Baledón. Estos dan cuenta del cine que, con apoyo del gobierno federal, se estaba gestando en la década del sesenta, y que sólo fue el inicio de una larga ausencia de producciones cinematográficas de calidad y el derrumbe de lo que parecía sería el resurgimiento de un nuevo cine mexicano. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/20867 Toma Uno; No. 6 (2018): Breakthrough cinemas: New ways of making and thinking about cinema throughout history.; 41-59 TOMA UNO; Núm. 6 (2018): Cines de ruptura: Nuevas formas de hacer y pensar el cine a lo largo de la historia; 41-59 2250-4524 2313-9692 10.55442/tomauno.n6.2018 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/20867/20480 Derechos de autor 2018 Obed González Moreno http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
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Universidad Nacional de Córdoba |
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I-10 |
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R-10 |
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Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Cine mexicano Literatura mexicana Octavio Paz Mexican cinema Mexican literature Octavio Paz |
| spellingShingle |
Cine mexicano Literatura mexicana Octavio Paz Mexican cinema Mexican literature Octavio Paz González Moreno, Obed Mexican Cinema in the decade of the seventies: a mirage |
| topic_facet |
Cine mexicano Literatura mexicana Octavio Paz Mexican cinema Mexican literature Octavio Paz |
| author |
González Moreno, Obed |
| author_facet |
González Moreno, Obed |
| author_sort |
González Moreno, Obed |
| title |
Mexican Cinema in the decade of the seventies: a mirage |
| title_short |
Mexican Cinema in the decade of the seventies: a mirage |
| title_full |
Mexican Cinema in the decade of the seventies: a mirage |
| title_fullStr |
Mexican Cinema in the decade of the seventies: a mirage |
| title_full_unstemmed |
Mexican Cinema in the decade of the seventies: a mirage |
| title_sort |
mexican cinema in the decade of the seventies: a mirage |
| description |
This article is a fragment of a larger research about Mexican cinema and literature, in progress since the year 2006. In it, we reflect on the chapter "Criticism of the pyramid" included in the book Postata by Octavio Paz and we expose a dialogical play between the discourse of cinema and that of literature, by looking at the films Mecánica nacional by Luis Alcoriza (1971), Los albañiles by Jorge Fons (1976) and Renuncia por motivos de salud by Rafael Baledón (1976). These films give an account of the cinema that, with support from the federal government, was starting to be developed in the sixties, and that was only the beginning of a long absence of quality cinematographic productions and of the collapse of what appeared to be the resurgence of a new Mexican cinema. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/20867 |
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2022-08-20T01:14:58Z |
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