The representation of the origin of humanity in ’2001: A Space Odyssey
The relations between humanity and technics confront thinking with a series of paradoxes. In order to start our exposition we return to the synthesis elaborated by Andrew Feenberg in relation to this problem. Then we focus on the exposition of french philosopher Bernard Stiegler’s propositions, who...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2017
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19627 |
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I10-R10-article-196272019-07-27T12:58:21Z The representation of the origin of humanity in ’2001: A Space Odyssey La representación del origen de la humanidad en “2001: A Space Odyssey” Huarte, Valentín Stiegler Technics Time Anticipation Stiegler Técnica Tiempo Anticipación The relations between humanity and technics confront thinking with a series of paradoxes. In order to start our exposition we return to the synthesis elaborated by Andrew Feenberg in relation to this problem. Then we focus on the exposition of french philosopher Bernard Stiegler’s propositions, who has attempted to give an answer to this problem through an original theoretical development. We return succinctly to the concepts of technical system, tendency and anticipation in order to consider the commentary and appropriation that the french philosopher makes of the paleoanthropological discoveries of Léroi-Gourhan. Finally we focus on some remarks in relation to the movie “2001: Space Odyssey” in the light of this issues, in order to apply the previously presented concepts. Las relaciones entre humanidad y técnica enfrentan al pensamiento con una serie de paradojas. Para dar comienzo a nuestra exposición, recuperamos la síntesis propuesta por Andrew Feenberg en relación con este problema. Luego nos concentramos en la exposición de las tesis centrales del filósofo francés Bernard Stiegler, quien ha intentado dar respuesta al problema a través de una elaboración conceptual original. Restituimos brevemente las definiciones de los conceptos de sistema técnico, tendencia y anticipación, para considerar el comentario y apropiación que el francés realiza de los descubrimientos de la paleoantropología de Léroi-Gourhan. Finalmente, nos abocamos a un comentario de la película “2001: Odisea en el espacio” a la luz de esta problemática, en la cual intentamos aplicar los conceptos expuestos. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2017-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19627 Ética y Cine Journal; Vol. 7 Núm. 3 (2017): Memoria(s) en el cine, memoria(s) del cine; 71-78 2250-5415 2250-5660 10.31056/2250.5415.v7.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19627/19862 Derechos de autor 2017 Ética&Cine Journal |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
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R-10 |
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Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Stiegler Technics Time Anticipation Stiegler Técnica Tiempo Anticipación |
| spellingShingle |
Stiegler Technics Time Anticipation Stiegler Técnica Tiempo Anticipación Huarte, Valentín The representation of the origin of humanity in ’2001: A Space Odyssey |
| topic_facet |
Stiegler Technics Time Anticipation Stiegler Técnica Tiempo Anticipación |
| author |
Huarte, Valentín |
| author_facet |
Huarte, Valentín |
| author_sort |
Huarte, Valentín |
| title |
The representation of the origin of humanity in ’2001: A Space Odyssey |
| title_short |
The representation of the origin of humanity in ’2001: A Space Odyssey |
| title_full |
The representation of the origin of humanity in ’2001: A Space Odyssey |
| title_fullStr |
The representation of the origin of humanity in ’2001: A Space Odyssey |
| title_full_unstemmed |
The representation of the origin of humanity in ’2001: A Space Odyssey |
| title_sort |
representation of the origin of humanity in ’2001: a space odyssey |
| description |
The relations between humanity and technics confront thinking with a series of paradoxes. In order to start our exposition we return to the synthesis elaborated by Andrew Feenberg in relation to this problem. Then we focus on the exposition of french philosopher Bernard Stiegler’s propositions, who has attempted to give an answer to this problem through an original theoretical development. We return succinctly to the concepts of technical system, tendency and anticipation in order to consider the commentary and appropriation that the french philosopher makes of the paleoanthropological discoveries of Léroi-Gourhan. Finally we focus on some remarks in relation to the movie “2001: Space Odyssey” in the light of this issues, in order to apply the previously presented concepts. |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2017 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19627 |
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AT huartevalentin therepresentationoftheoriginofhumanityin2001aspaceodyssey AT huartevalentin larepresentaciondelorigendelahumanidaden2001aspaceodyssey AT huartevalentin representationoftheoriginofhumanityin2001aspaceodyssey |
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2022-08-20T01:04:35Z |
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