All scars: towards a colonial phenomenology in Frantz Fanon
This text focuses on contemporary coordinates of discussion about Frantz Fanon´s work. Starting from the identification of two moments, in which different topics are discussed, we proceed to establish the standpoints to construct a "phenomenology of the colonial". This implies a process of...
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2017
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I10-R10-article-184902018-12-19T15:52:26Z All scars: towards a colonial phenomenology in Frantz Fanon Todas las cicatrices: hacia una fenomenología de lo colonial en Frantz Fanon Gandarilla Salgado, José Ortega Reyna, Jaime Fanon fenomenología colonial Fanon phenomenology colonial This text focuses on contemporary coordinates of discussion about Frantz Fanon´s work. Starting from the identification of two moments, in which different topics are discussed, we proceed to establish the standpoints to construct a "phenomenology of the colonial". This implies a process of approaching to recurrent phenomenologies in western thought. Subsequently, we proceed to draw lines of demarcation from the colonial element, present clearly in the work of Fanon, Black skin, white masks. El presente texto pretende ubicar coordenadas contemporáneas de discusión en torno a la obra de Frantz Fanon. Partiendo de la identificación de dos momentos diferenciados, que convocan a discutir temáticas diferenciadas, se establecen los principales puntos de apoyo para construir una “fenomenología de lo colonial”. Ello implica un proceso de acercamiento a las fenomenologías recurrentes en el pensamiento occidental. Posteriormente se procede a trazar líneas de demarcación con ellas, a partir del elemento colonial, presente de manera clara en la obra de Fanon,Piel negra, máscaras blancas. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2017-12-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/intersticios/article/view/18490 Interstices of politics and culture. Latin American interventions; Vol. 6 No. 12 (2017): Racialización y producción de conocimientos; 31-65 Intersticios de la política y la cultura. Intervenciones latinoamericanas; Vol. 6 Núm. 12 (2017): Racialización y producción de conocimientos; 31-65 Intersticipações de política e cultura. Intervenções na América Latina; v. 6 n. 12 (2017): Racialización y producción de conocimientos; 31-65 2250-6543 spa https://revistas.unc.edu.ar/index.php/intersticios/article/view/18490/18869 Derechos de autor 2017 José Gandarilla Salgado, Jaime Ortega |
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Universidad Nacional de Córdoba |
institution_str |
I-10 |
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container_title_str |
Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
Fanon fenomenología colonial Fanon phenomenology colonial |
spellingShingle |
Fanon fenomenología colonial Fanon phenomenology colonial Gandarilla Salgado, José Ortega Reyna, Jaime All scars: towards a colonial phenomenology in Frantz Fanon |
topic_facet |
Fanon fenomenología colonial Fanon phenomenology colonial |
author |
Gandarilla Salgado, José Ortega Reyna, Jaime |
author_facet |
Gandarilla Salgado, José Ortega Reyna, Jaime |
author_sort |
Gandarilla Salgado, José |
title |
All scars: towards a colonial phenomenology in Frantz Fanon |
title_short |
All scars: towards a colonial phenomenology in Frantz Fanon |
title_full |
All scars: towards a colonial phenomenology in Frantz Fanon |
title_fullStr |
All scars: towards a colonial phenomenology in Frantz Fanon |
title_full_unstemmed |
All scars: towards a colonial phenomenology in Frantz Fanon |
title_sort |
all scars: towards a colonial phenomenology in frantz fanon |
description |
This text focuses on contemporary coordinates of discussion about Frantz Fanon´s work. Starting from the identification of two moments, in which different topics are discussed, we proceed to establish the standpoints to construct a "phenomenology of the colonial". This implies a process of approaching to recurrent phenomenologies in western thought. Subsequently, we proceed to draw lines of demarcation from the colonial element, present clearly in the work of Fanon, Black skin, white masks. |
publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
publishDate |
2017 |
url |
https://revistas.unc.edu.ar/index.php/intersticios/article/view/18490 |
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first_indexed |
2022-08-20T01:14:12Z |
last_indexed |
2022-08-20T01:14:12Z |
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