New and old activist audiovisual practices of resistance and social intervention and (techno) politics

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This research studies the activist audiovisual of social and political intervention field, deepening the emergence of video activism 2.0. We refer to a number of alternative and political audiovisual works, of denunciation and resistance, leveraging the accessibility, ease, immediacy and versatility...

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Autores principales: Bula, Hernán Enrique, Fidalgo Alday, Iker
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2016
Materias:
Audiovisual
Política
Activismo
Videoactivismo
2.0
Polítical Activism
Videoactivism
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/17203
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-17203
record_format ojs
spelling I10-R10-article-172032020-11-06T23:14:39Z New and old activist audiovisual practices of resistance and social intervention and (techno) politics Nuevas y viejas prácticas audiovisuales activistas de resistencia e intervención social y (tecno)política Bula, Hernán Enrique Fidalgo Alday, Iker Audiovisual Política Activismo Videoactivismo 2.0 Audiovisual Polítical Activism Videoactivism 2.0 This research studies the activist audiovisual of social and political intervention field, deepening the emergence of video activism 2.0. We refer to a number of alternative and political audiovisual works, of denunciation and resistance, leveraging the accessibility, ease, immediacy and versatility offered by current technologies (audiovisual, computers, telematics and communication) and new global digital scenarios of the web 2.0. Performances where the old and the new, the past and the present, clearly converge. For the purposes of accounting for our research objective, we proceeded to conduct a theoretical and descriptive study. We did a systematization of research on audiovisual activism. Here we identify goals, tactics and strategies to characterize and differentiate them according to their experimental, aesthetic, critical and political aspects. The study results allowed us to elucidate what is old in the new and what is new in the new, that is, specify the characteristics and specificities of current audiovisual works and their similarities and differences about their background.  El presente artículo busca caracterizar el campo del audiovisual activista de intervención social y política, y en particular las actuales prácticas de activismo audiovisual 2.0. Nos referimos a una serie de prácticas audiovisuales alternativas, políticas, de denuncia y resistencia, que aprovechan ahora la accesibilidad, facilidad, inmediatez y versatilidad que ofrecen las tecnologías actuales (audiovisuales, informáticas, telemáticas y comunicacionales) y los nuevos escenarios digitales globales de la web 2.0 para desplegar su capacidad de acción e intervención (tecno)política. Prácticas en donde lo viejo y lo nuevo, el pasado y el presente, claramente convergen. Metodológicamente se procedió a la realización de un estudio teórico y descriptivo, con el objetivo de analizar estas prácticas, para entender cuáles son sus características y especificidades (experimentales, estéticas, críticas, narrativas, tecnológicas y políticas), cuáles sus potencialidades y posibilidades de intervención social y política, sus desarrollos actuales y sus similitudes y diferencias respecto de sus antecedentes.  Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2016-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/17203 Toma Uno; No. 5 (2016): Cines plurales: experiencias comunitarias de producción audiovisual; 61-88 TOMA UNO; Núm. 5 (2016): Cines plurales: experiencias comunitarias de producción audiovisual; 61-88 2250-4524 2313-9692 10.55442/tomauno.n5.2016 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/17203/17615 Derechos de autor 2016 TOMA UNO http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Audiovisual
Política
Activismo
Videoactivismo
2.0
Audiovisual
Polítical Activism
Videoactivism
2.0
spellingShingle Audiovisual
Política
Activismo
Videoactivismo
2.0
Audiovisual
Polítical Activism
Videoactivism
2.0
Bula, Hernán Enrique
Fidalgo Alday, Iker
New and old activist audiovisual practices of resistance and social intervention and (techno) politics
topic_facet Audiovisual
Política
Activismo
Videoactivismo
2.0
Audiovisual
Polítical Activism
Videoactivism
2.0
author Bula, Hernán Enrique
Fidalgo Alday, Iker
author_facet Bula, Hernán Enrique
Fidalgo Alday, Iker
author_sort Bula, Hernán Enrique
title New and old activist audiovisual practices of resistance and social intervention and (techno) politics
title_short New and old activist audiovisual practices of resistance and social intervention and (techno) politics
title_full New and old activist audiovisual practices of resistance and social intervention and (techno) politics
title_fullStr New and old activist audiovisual practices of resistance and social intervention and (techno) politics
title_full_unstemmed New and old activist audiovisual practices of resistance and social intervention and (techno) politics
title_sort new and old activist audiovisual practices of resistance and social intervention and (techno) politics
description This research studies the activist audiovisual of social and political intervention field, deepening the emergence of video activism 2.0. We refer to a number of alternative and political audiovisual works, of denunciation and resistance, leveraging the accessibility, ease, immediacy and versatility offered by current technologies (audiovisual, computers, telematics and communication) and new global digital scenarios of the web 2.0. Performances where the old and the new, the past and the present, clearly converge. For the purposes of accounting for our research objective, we proceeded to conduct a theoretical and descriptive study. We did a systematization of research on audiovisual activism. Here we identify goals, tactics and strategies to characterize and differentiate them according to their experimental, aesthetic, critical and political aspects. The study results allowed us to elucidate what is old in the new and what is new in the new, that is, specify the characteristics and specificities of current audiovisual works and their similarities and differences about their background. 
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2016
url https://revistas.unc.edu.ar/index.php/toma1/article/view/17203
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first_indexed 2022-08-20T01:14:53Z
last_indexed 2022-08-20T01:14:53Z
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