THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO

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In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his  work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. The organizatio...

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Detalles Bibliográficos
Autor principal: Repetto, Carolina Rosa
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2015
Materias:
genética
teatro
Lamborghini
lector
Trento
Acceso en línea:https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12284
Aporte de:
Aportado por : Revistas de la UNC de Universidad Nacional de Córdoba .
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spelling I10-R10-article-122842016-01-11T20:04:42Z THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO EL MANUSCRITO COMO PUNTO DE LLEGADA: EL TEATRO Y LA NARRATIVA ANTES DE TRENTO, DE LEÓNIDAS LAMBORGHINI Repetto, Carolina Rosa genética teatro Lamborghini lector Trento In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his  work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. The organization of the Lamborghini’s manuscripts has allowed an exhaustive analysis of the aspects of his narrative works and Trento "dramatic texts" as for director’s indications or scenic formats, and also the conception of spectator/reader in some of his works. A genetic edition based on the search of itineraries that go and come across the generic borders between novel and theatre presents aspects of interest to think not only this Leónidas Lamborghini's particular work but also to think all his poetical and narrative work, for the procedures and formal works of rewriting are persistent along his creation. En los manuscritos de la novela Trento, de Leónidas Lamborghini, los comentarios sobre el espectador evidencian la fuerza que adquiere la dimensión teatral y narrativa en toda su obra, no solo en cuanto a técnicas tomadas prestadas de lo dramático sino sobre todo en cuanto a las consideraciones con respecto a los géneros y sus bordes. La organización del Fondo Lamborghini ha permitido un exhaustivo análisis de los aspectos que comparten sus obras narrativas con los “textos dramáticos” de Trentoen cuanto a didascalias o préstamos de formatos escénicosy, sobre todo, de la concepción de espectador/lector presente en algunas de sus obras. Una edición genética basada en la búsqueda de los itinerarios que van y vienen a través de las fronteras genéricas entre novela y teatro presenta aspectos de interés para pensar no solo esta particular obra de Leónidas Lamborghini sino también todo su trabajo poético y narrativo, dado que los procedimientos y trabajos formales de reescritura son persistentes a lo largo de su creación. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2015-12-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos revisados por pares application/pdf https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12284 Astrolabio; No. 15 (2015): DERIVAS DE LA MEMORIA EN LA PRODUCCIÓN INTELECTUAL Y ARTÍSTICA; 68-88 Astrolabio; Núm. 15 (2015): DERIVAS DE LA MEMORIA EN LA PRODUCCIÓN INTELECTUAL Y ARTÍSTICA; 68-88 Astrolabio; n. 15 (2015): DERIVAS DE LA MEMORIA EN LA PRODUCCIÓN INTELECTUAL Y ARTÍSTICA; 68-88 1668-7515 10.55441/1668.7515.n15 spa https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12284/13428
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic genética
teatro
Lamborghini
lector
Trento
spellingShingle genética
teatro
Lamborghini
lector
Trento
Repetto, Carolina Rosa
THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
topic_facet genética
teatro
Lamborghini
lector
Trento
author Repetto, Carolina Rosa
author_facet Repetto, Carolina Rosa
author_sort Repetto, Carolina Rosa
title THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_short THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_full THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_fullStr THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_full_unstemmed THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_sort manuscript as a point of arrival: theatre and narrative before leonidas lamborghini’s trento
description In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his  work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. The organization of the Lamborghini’s manuscripts has allowed an exhaustive analysis of the aspects of his narrative works and Trento "dramatic texts" as for director’s indications or scenic formats, and also the conception of spectator/reader in some of his works. A genetic edition based on the search of itineraries that go and come across the generic borders between novel and theatre presents aspects of interest to think not only this Leónidas Lamborghini's particular work but also to think all his poetical and narrative work, for the procedures and formal works of rewriting are persistent along his creation.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2015
url https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12284
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AT repettocarolinarosa manuscriptasapointofarrivaltheatreandnarrativebeforeleonidaslamborghinistrento
first_indexed 2022-08-20T00:48:25Z
last_indexed 2022-08-20T00:48:25Z
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