Circus and cultural policies in Buenos Aires

In this paper I propose to analyze the release of a cultural policy to promote circus arts in the city of Buenos Aires, started in 2009 through the First Buenos Aires International Circus Festival. Through the analysis of the formulation and implementation of the public policy, I will present some o...

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Autor principal: Infantino, Julieta
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2015
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Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/11468
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spelling I10-R10-article-114682022-08-24T16:12:47Z Circus and cultural policies in Buenos Aires Circo y política cultural en Buenos Aires Infantino, Julieta cultural policies disputes circus arts democratization popularization of culture políticas culturales disputas artes circenses democratización popularización de la cultura In this paper I propose to analyze the release of a cultural policy to promote circus arts in the city of Buenos Aires, started in 2009 through the First Buenos Aires International Circus Festival. Through the analysis of the formulation and implementation of the public policy, I will present some of the controversies that emerged from state intervention in the local circus art field in relation to certain key concepts: what is meant by cultural policies, by democratization / popularization of culture and about the role attributed to the State in this area. Through the analysis proposed I intend to problematize the diverse and unequal actors involved in the field of (cultural) policies. Thus, I intend to analyze the official speeches that inspired the creation of the policy under study and the rejections and negotiation generated by the implementation of this new way of public intervention in the circus cultural field. En este trabajo propongo analizar el lanzamiento de una política cultural de fomento para las artes del circo en la ciudad de Buenos Aires, iniciada en 2009 a través del I Festival Internacional de Circo de Buenos Aires. A partir del estudio de la formulación e implementación de la política pública, presentaré algunas de las controversias que se desataron ante la intervención estatal en el campo artístico circense local en relación a ciertos conceptos clave: qué se entiende por políticas culturales, por democratización/popularización de la cultura y acerca del rol atribuido al Estado en dicha área. A través del análisis propuesto pretendo problematizar el entramado de diversos y desiguales agentes involucrados en el campo de las políticas (culturales). Así, propongo analizar los discursos oficiales que inspiraron la creación de la política en estudio y los rechazos y negociaciones que generó la implementación de esta nueva modalidad de intervención pública en el ámbito cultural circense. Facultad de Filosofía y Humanidades. Museo de Antropología 2015-06-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares antropología social; etnografía; análisis del discurso; social anthropology; etnography;discourse analysis Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/11468 Revista del Museo de Antropología; Vol 8 (2015) NÚMERO 1; 157-170 Revista del Museo de Antropología; Vol 8 (2015) NÚMERO 1; 157-170 Revista del Museo de Antropología; Vol 8 (2015) NÚMERO 1; 157-170 1852-4826 1852-060X 10.31048/1852.4826.v8.n1 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/11468/12177 Derechos de autor 2015 Julieta Infantino
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic cultural policies
disputes
circus arts
democratization
popularization of culture
políticas culturales
disputas
artes circenses
democratización
popularización de la cultura
spellingShingle cultural policies
disputes
circus arts
democratization
popularization of culture
políticas culturales
disputas
artes circenses
democratización
popularización de la cultura
Infantino, Julieta
Circus and cultural policies in Buenos Aires
topic_facet cultural policies
disputes
circus arts
democratization
popularization of culture
políticas culturales
disputas
artes circenses
democratización
popularización de la cultura
author Infantino, Julieta
author_facet Infantino, Julieta
author_sort Infantino, Julieta
title Circus and cultural policies in Buenos Aires
title_short Circus and cultural policies in Buenos Aires
title_full Circus and cultural policies in Buenos Aires
title_fullStr Circus and cultural policies in Buenos Aires
title_full_unstemmed Circus and cultural policies in Buenos Aires
title_sort circus and cultural policies in buenos aires
description In this paper I propose to analyze the release of a cultural policy to promote circus arts in the city of Buenos Aires, started in 2009 through the First Buenos Aires International Circus Festival. Through the analysis of the formulation and implementation of the public policy, I will present some of the controversies that emerged from state intervention in the local circus art field in relation to certain key concepts: what is meant by cultural policies, by democratization / popularization of culture and about the role attributed to the State in this area. Through the analysis proposed I intend to problematize the diverse and unequal actors involved in the field of (cultural) policies. Thus, I intend to analyze the official speeches that inspired the creation of the policy under study and the rejections and negotiation generated by the implementation of this new way of public intervention in the circus cultural field.
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2015
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/11468
work_keys_str_mv AT infantinojulieta circusandculturalpoliciesinbuenosaires
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first_indexed 2022-08-20T01:11:26Z
last_indexed 2022-10-04T12:38:53Z
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